Title Sponsor
USD 25,000
Kep International Art Week in its entirety, 10 to 13 December 2026: five exhibitions, the whole public programme, and the fleet’s life after December. Named with the week itself.
Edition 01: 40+ artists – 21 boats + 1 guest boat – One shore.
5 exhibitions – Kites – Talks
Kep 10–13 December 2026
Kep International Art Week is a four-day festival of contemporary art on the Cambodian coast, held from 10 to 13 December 2026. This is the first edition, organised by Art for Kep, and it takes place at Kep West.
The centrepiece is Ten Boats+. Twenty-one retired wooden fishing hulls, given up by families who can no longer sail them, have been handed to twenty-one Cambodian and international artists. Each boat carries a passport recording who built it, where it worked and how long it sailed. A guest boat from the Kep Tourism Department joins them. After the week, the fleet travels Cambodia as a moving exhibition.
Four more exhibitions run alongside it. Molyvann 100 marks a century of Vann Molyvann, with architecture and heritage on the Kep coast. The Residency Expo shows work made in Kep this year by resident artists. The Watercolour Expo brings together twenty painters, co-curated with the Cambodian Watercolour Association and the Asia Art Alliance. KITE Workshop and Competition, with the KITE Association, celebrates traditional Khmer kite-making and the Khleng Ek, the musical kite.
Around them run the Oceans Connect panel, artist talks, nightly films on the roof screen, a kite festival, contemporary dance on the pier and live music. Four of the exhibitions stay open for two more weeks.
Art for Kep is a Cambodian not-for-profit organisation working with the fishing families of Kep, with Marine Conservation Cambodia, and with artists from Cambodia and abroad. We give the objects and the craft of this coast a second life, and we make the shore itself the place where the work is shown.
Kep is a small town of fishing boats and the remains of 1960s modernist villas on the southern coast of Cambodia. Its shore was once a place of leisure, then of war, then of quiet.
21 retired wooden fishing hulls, given up by the families who can no longer sail them, will pass through the hands of 21 artists. Some will keep the hull whole and transform it. Others will take it apart and re-author it. In December 2026 the fleet lands on the shore at Knai Bang Chatt, Kep West and the Sailing Club, and Kep holds its first International Art Week.
The fishing families who give up the hulls are paid for them, the boat-builders of Kep are paid for their hands, and every artist receives the boat, the materials, travel, board and accommodation, and a production stipend. Nobody on this project is asked to work for exposure, and the artist retains artistic ownership of the work.
Founder, Art for Kep
Our coast has no borders—a meeting place for people, ideas, nature, and imagination.
Kep International Art Week 2026 advances a larger vision: to establish Kep as Cambodia’s coastal destination for art, culture, and exchange. With artists, communities, and international partners, we explore our relationship with the sea, our heritage, and the future we share.
In Kep, art can connect us across countries and generations, inspire new ways of seeing, and help protect this extraordinary coastline.
Each tier is tied to something you can point at. You fund the week itself, or one named hull, or your own stand on the shore, or you give what you wish. Nothing overlaps, and nothing is sponsored in the abstract.
USD 25,000
Kep International Art Week in its entirety, 10 to 13 December 2026: five exhibitions, the whole public programme, and the fleet’s life after December. Named with the week itself.
USD 2,500
One named hull, end to end: its purchase from the fishing family, its preparation, the artist’s travel, board and accommodation, a production stipend, the materials and its plinth on the shore.
USD 1,000
Your own stand on the shore for the four days of Art Week, among the fleet and the crowd it draws. For galleries, makers and businesses of the coast.
From USD 1
Any amount, from anyone. It goes to the development of art, culture and conservation in Kep. Art for Kep issues a formal receipt for every contribution.
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Five exhibitions across the week. Ten Boats+ — 21 hulls in Edition 01 — is installed in the Sculpture Park at Kep West. Molyvann 100, the Residency Expo, the Watercolour Expo and KITE Workshop and Competition remain open for two additional weeks.
Kep West
21 retired fishing hulls, transformed by 21 artists. After the week they travel Cambodia as a moving exhibition.
Discover the exhibition
Kep West
The artists who came to Kep in 2026 from Cambodia and abroad: paintings, sculpture, dance and film responding to the same stretch of coast, its people and its stories.
Discover the exhibition
Kep West
20 Cambodian and international artists, co-curated with the Cambodian Watercolour Association and the Asia Art Alliance.
Discover the exhibitionKep West · 12–13 Dec
Kite-making workshops, colourful skies and friendly competitions as part of Kep International Art Week. Create your kite, fly your art and join the celebration.
Circus, cinema and dance by Dara Heng and Karim Belkacem Saadi. Performed in Khmer with English and French surtitles, 60 minutes. Sold out in Phnom Penh.
Saturday 12 December · 7 pm · Kep WestFree entrance
Kep has no cinema, so CIFF brings cinema to the town: films about the arts, screened in the open air by the sea, with their directors and crews.
The first five titles.
Discover the films Schedule to follow.

Théo Vallier and Koeng Rithy
At night, Kep's abandoned villas come back to life. Théo Vallier will paint them as dark silhouettes, their windows glowing as if someone were still at home.
Light fills buildings shaped by absence, holding the memory of the families and summers that once filled them.
Tiled floors and perforated walls give the work its geometric rhythm, while roots and trees push through the façades, reclaiming what people left behind. Lights of the Past is Kep as memory: half ruin, half dream.

In 2006, Jason deCaires Taylor lowered concrete figures into the sea off Grenada. Coral moved in, fish followed, and the world’s first underwater sculpture park was born.
This December he joins Kep International Art Week for panels and public conversations on ocean art and sculpture made to be claimed by the sea.
His visit comes at the right moment. The S.E.A. (South East Asian) Ocean Gallery has received approval in principle, and we hope to start creating its first works for the ocean in 2027.
Come and hear where it begins.
Discover Jason’s work: Underwater sculptures
Kep International Art Week 2026 runs Thursday 10 to Sunday 13 December. The opening is Friday evening; the closing is Sunday afternoon. Four exhibitions remain open for two additional weeks.
All spaces open quietly on Thursday. The roof screen runs its first film. The Wave opens with its first signature cocktail.
The afternoon is a structured press preview. The evening is the invitation-only opening at Kep West — sunset, pier music, remarks, reception on The Deck.
The Kite Festival, Oceans Connect, then pier dance, live music and Film 3.
A slow morning of last visits and artist talks, a closing ceremony, then the two-week extension.
Art for Kep Talks brings you closer to the ideas and stories behind the works on view. Through artist interviews, conversations with gallerists and panel discussions, you meet the artists, curators and gallerists themselves and hear how a work comes about: from a first idea and research, to the studio, the exhibition and the collection. The talks also look at what connects art, Cambodia, the coast and the wider world.

In 2006, Jason deCaires Taylor lowered concrete figures into the sea off Grenada. Coral moved in, fish followed, and the world’s first underwater sculpture park was born.
This December he joins Kep International Art Week for panels and public conversations on ocean art and sculpture made to be claimed by the sea.
His visit comes at the right moment. The S.E.A. (South East Asian) Ocean Gallery has received approval in principle, and we hope to start creating its first works for the ocean in 2027.
Come and hear where it begins.
Discover Jason’s work: Underwater sculptures
Contemporary Cambodian art on the international stage
Cambodian artists are showing in biennales, museums and collections around the world. Artists and curators talk about what they take from the past, what they reject and what they reinvent, how memory and material shape their work, and what it really takes to keep working as an artist from Cambodia.
What does it take to build a lasting artistic life from Cambodia?
Moderator and panellists: to be announced
Wood, salt and time: art, coastal knowledge and conservation in Kep
Old fishing boats given a second life, art placed in the sea, and the people who work every day to protect Kep’s marine life. The panel asks whether art can do real work for a coast, and what happens when more visitors arrive.
Can art help a coast recover, or does it only bring more visitors to a place already under pressure?
Moderator and panellists: to be announced
Vann Molyvann at 100: architecture and heritage on the Kep coast
Vann Molyvann, the architect who shaped modern Cambodia, would have turned 100 on 23 November 2026. A few weeks after his centenary, the panel looks at what New Khmer Architecture got right, what to do with Kep’s ruined villas, and why the coast needs to record its buildings before they are lost.
A hundred years after Vann Molyvann’s birth, what should Kep keep, and what should it build next?
Moderator and panellists: to be announced
A future perspective
What Kep already has, what it can learn from other places, and how culture here can be paid for and kept going. This closing conversation puts local people first and asks what the second edition of the Art Week, and the years after it, should look like.
What would make Kep a place people return to for culture, year after year, and what part should the Art Week play?
Moderator and panellists: to be announced
Each retired fishing hull is paired with an artist for Kep International Art Week, 10 to 13 December 2026. Open a hull to see its photographs, films and passport: where it was built, where it worked and how it came to the project.
You can also sponsor a hull and its artist. Your support pays for materials, production and the artist's time in Kep. Hulls are matched to sponsors in the order commitments are received, and your name stays with that boat: on the shore label, in the project book and wherever the work travels afterwards. No logo is ever applied to a work of art.
Sponsored
Kep Tourism Department
The shore is waiting. 1 of 21 hulls sponsored so far — BUN & ASSOCIATES took the first. 20 berths remain open. Open any hull to support it.
Art for Kep has hosted artists in Kep since January 2026. Some came for two weeks, some for two months. Between them they have photographed the villas of independence, worked with the crab-trap fishermen, danced with the tide, gathered a century of stories from the Gulf, and built textile figures that stood against the sea at Kep West.
Every artist keeps ownership of their work. Where work was made with named people from Kep, those people are credited too.

Scotland

Indonesia

USA

United Kingdom

Phnom Penh, Cambodia

Phnom Penh, Cambodia

Phnom Penh, Cambodia

Phnom Penh, Cambodia

Islamabad, Pakistan

Phnom Penh, Cambodia

Phnom Penh, Cambodia

Phnom Penh, Cambodia

Siem Reap, Cambodia

Phnom Penh, Cambodia

Siem Reap, Cambodia

Bali, Indonesia

Netherlands

Berlin

Netherlands
Art for Kep publishes its costs transparently. This is the working budget for Edition 01, per hull across a fleet of 21.
| Production, per hull | USD |
|---|---|
| Hull, purchase from the fishing family, collection and preparation | 330 |
| Materials: paint, primer, marine sealant, tools and sculpting | 215 |
| Plinth, mounting hardware, signage and label | 100 |
| Artist travel, board and accommodation for the residency | 700 |
| Artist production stipend | 500 |
| The project book, 20 copies of an edition of 1,000 | 350 |
| Documentation, photography, opening and press | 100 |
| Transport to Phnom Penh, insurance, coordination and logistics | 130 |
| Contingency | 75 |
| Production, one hull | 2,500 |
| Production, fleet of 21 | 52,500 |
Every figure above is what we actually pay. A Boat Sponsorship of USD 2,500 covers one hull end to end. Our accounts and annual report are available on request from [email protected], and in-kind support from our founding partners is valued and listed separately so you can see what is given and what is bought.
Studio and workshop space, the grounds at Knai Bang Chatt, and curatorial time are given in kind by Kep West and Art for Kep, and are not charged against the budget above. Skilled boat-builders are paid at craft rates set in each Yard agreement. The artist retains artistic ownership of the work in every case.
Exhibition build-out across the three indoor spaces, and the coastal and marine installations along the promenade and offshore, including the rental of tents and equipment. Technical and site: sound, lighting, staging, the pier and the roof screen, signage, the shore map and stewarding. The public programme: support for the Kite Festival, the panel with its interpretation and recording, the dance and the music, and the four evening films. Press and print: the accredited preview, the documentation crew, the bilingual printed programme, and the marketing that brings people to Kep. Insurance and the fortnight after: care of 21 wooden works standing outdoors, and the three indoor exhibitions staffed for two weeks beyond the closing. The onward life: crating and freight to SOSORO and beyond, the scanning and placement of hulls as reef, and the seed of Edition 02.
Three promises, made in public, reported against every year.
An annual paid commission for a Cambodian artist.
Phase one of the Kep Cultural Memory Archive: Ten Boats+ oral histories, images, artist reflections and recorded conversations, collected with consent and full credit.
A production, residency and public-art fund, supported by galleries and patrons.
Donate online by card or ABA Mobile, by phone or email, or send an international bank transfer. Our team will contact you to assist. Art for Kep issues a formal receipt for every contribution.
Art for Kep Organization
Knai Bang Chatt Resort, Krong Kaeb, Cambodia
A quiet coastal town of fishing boats and painted colonial villas, on the southern coast of Cambodia.
From 10 to 13 December, Cambodia’s small coastal town turns into a meeting place for art, culture and people who love the sea. Artists from Cambodia and abroad are showing their work by the shore, in the open air, and almost all of it is free.
It’s the best time of year to be here. The days are dry and sunny, the sea is calm and the evenings are cool enough to stay out late. Every night the sun goes down over the Gulf, and the sunsets are some of the best in the country.
Come with family or friends. Make it a weekend in Kep.
Kep International Art Week runs from Thursday 10 to Sunday 13 December 2026. Most of it is free and open to everyone. This page tells you what you can attend, how to get here, where to stay and how to get around once you arrive.
All five exhibitions are free, including Ten Boats+ in the Sculpture Park at Kep West. So are the handicraft space on the sand, the Kite Festival on Saturday 12 December, the Oceans Connect panel and the artist talks. In the evenings there are films on the roof screen, contemporary dance on the pier and live music every day. The Last Great Ape is on Saturday 12 December at 19:00, and the closing ceremony is on Sunday.
Kite-making workshops and the kite competition: register here. The guided art walk on Saturday morning takes 25 people per group.
The official opening on Friday evening and the artists’ dinners are by invitation. Journalists can apply for accreditation through the press form.
International flights land at Techo International Airport, south of Phnom Penh. Kep is 2.5 to 3 hours away by car. The airport is on the Kep side of the city, so you miss most of the capital’s traffic. Our hospitality team can book a private transfer for you in advance.
By car, the drive takes about 2.5 hours, depending on traffic.
By train, one Royal Railway service runs each day. It leaves Phnom Penh at 07:00 and reaches Kep at around 10:20. It’s slow and comfortable, with good views of the countryside. Book ahead, because weekend seats sell out.
By bus, several companies run daily services from different parts of Phnom Penh. The journey takes 3.5 to 4 hours.
The Prek Chak to Ha Tien border crossing is about 20 minutes from Kep and opens every day from 06:00 to 18:00. Apply for your Cambodian e-visa before you travel rather than relying on a visa on arrival.
Kampot is 30 to 45 minutes away by tuk-tuk, at around US$10 one way. Sihanoukville is about two hours by car.
Kep West is the main venue, and every exhibition there is within walking distance. For anywhere else in Kep, take a tuk-tuk. In the evenings they wait near the Kep West entrance. If you’re driving, use the parking areas marked on the masterplan below.
Kep is a small town and December is high season, so book your room early.
Kampot has places to stay at every price and is 30 to 45 minutes from Kep by tuk-tuk or taxi. Try there if Kep is full.
Most nationalities can get an e-visa or a visa on arrival. Apply only through the official government site, evisa.gov.kh, because look-alike sites charge extra. Every traveller, visa holders included, must also fill in the free Cambodia e-Arrival form within seven days before arrival.
Riel and US dollars are used everywhere. Bring small dollar notes for tuk-tuks, the handicraft stalls and the Crab Market. Nearest ATMs to Kep West
Mobile coverage along the Kep coast is reliable. You can buy a local SIM card at the airport.
Families are welcome. The Kite Festival and the kite workshops on 12 and 13 December are made with children in mind.
Talks and panels are in Khmer and English, with interpretation.
Kep West has several restaurants serving Asian and international food, with pop-up counters around the site. Kep Crab Market is a few minutes away.
Come on Saturday 12 December. Get there by 09:00 for the Kite Festival, then go to Oceans Connect at 10:30. Spend the afternoon at the five exhibitions, then stay for the dance on the pier, the live music and the film.
Arrive on Friday and see the exhibitions while it’s quiet. Do the Saturday plan above. On Sunday, join the dawn swim at 07:00 and the slow guided walk along the coast, then stay for the closing talks and the ceremony on The Deck.
Kep is a good place for walking, island trips and doing very little. You can:
Our hospitality team can arrange most of these: [email protected] or +855 (0)78 333 684.
No. The Art Week is free, apart from a few events that ask you to register. See What’s open to you above.
Yes. Contact us at [email protected].
Yes, in the areas marked on the masterplan. Spaces are limited, so come by tuk-tuk if you can.
This form is routed to Art for Kep / Knai Bang Chatt. For rooms, say dates and how many. For press, use the accreditation form.
Kep, Cambodia — For the first Kep International Art Week, the Cambodia International Film Festival (CIFF) unveils the first titles of its curated programme of films about the arts, screened in the open air by the sea, in the presence of members of their cast and crew.
The Art Week brings performances, exhibitions and film screenings to Cambodia’s coastal town. CIFF’s selection answers it with films in which art is a way of living with a place: dance on land and in water, painting born from melting glaciers, the towers of a changing city, and the songs that carried a nation’s memory across the world.
Kep has no cinema, so the festival brings cinema to the town. Each screening takes place outdoors, facing the Gulf of Thailand, among the jungle, the sea and the modernist villas that are themselves part of Cambodia’s artistic heritage.
Directors, performers and members of the crews will introduce their films and meet the audience after the screenings. These conversations give residents, students, artists and visitors a rare chance to hear from the people who made the films, about how they were made and the art they portray.
The programme travels from Cambodia’s fishing villages to Iceland’s glaciers, and from the unfinished towers of a Cambodian city to the Cambodian diaspora. This first selection features a Cambodian premiere and the work of Cambodian, Canadian, European and American filmmakers. More titles will be announced in the coming weeks.
Open-air screenings by the sea, introduced by their directors, performers and crews. More titles will be announced in the coming weeks.
A spirit takes shape between jungle and sea, floating, walking and dancing on land and in water, until it reaches Avlatan, a fishing village on stilts near the Thai border. This city-dweller discovers the ocean, the mountains, the rivers and the waterfalls, a benevolent ghost in a world he stumbled into by chance.
Along plank paths and wooden bridges, he moves from family to family and into the intimacy of their homes. He sees hard and sometimes sad daily lives, but also the joy, the repeated simple gestures and the mischievous children of a community that has long lived with nature and depends on the ocean.
Between contemplative trance and empathy, Vannak Khun’s film is a choreography of encounter. For an Art Week held on Cambodia’s coast, it is a mirror held up to the fishing communities whose lives depend on the sea that Kep’s artists and conservationists are working to protect.
A Cambodian artist, a Cambodian coastline and a body that listens to nature. Shot in the land and seascapes of Cambodia’s southwest, Floating Between turns dance into a way of paying attention to the sea, the forest and the people who depend on them. Screened a few steps from the Gulf of Thailand, it brings the film’s world almost within reach of the audience.
Conceived and produced during the COVID-19 pandemic to celebrate universal human connection, this Cambodian-Canadian dance film was shot across five countries: Cambodia, Canada, Mexico, Italy and Indonesia.
Its 15-member international ensemble brings together contemporary, classical and traditional artists. The Cambodian dancers include Chy Ratana, Chanborey Soy, a leading Lakhaon Khaol masked dancer and contemporary performer, Ros Sokunthea, Rasy Hul, Mouern Chanthy and Chea Ratanakitya. They dance alongside Canadian artists Jennifer Dahl, Bonnie Kim, Andrea Nann, Carlos Rivera, Heidi Strauss and Peter Chin himself, and Mexico’s Marina Acevedo.
With such a strong Cambodian presence, Peter Chin built a distinctive matrix of Cambodian dance and music into the heart of the film. Live instruments and voices by Katherine Duncanson, Jennifer Moore and Andrew Timar carry the dancers from one continent to the next.
Lakhaon Khaol, the Cambodian masked dance-drama listed by UNESCO as heritage in need of urgent safeguarding, meets contemporary dance from around the world. The film shows Cambodian performers not as guardians of a frozen tradition but as partners in a living, global art form. At a time when the world was forced apart, it proves that a gesture made in Cambodia can answer one made in Canada, Mexico, Italy or Indonesia.
Every landscape holds a memory of our planet, memories cruelly divided by time and by the borders that people draw. For 33 years, artist Sophie Cauvin has travelled to meet these transformed landscapes, collecting and reuniting their fragmented memories and immortalising them in astonishing works of art.
Mojtaba Bahadori follows her journey, in which art becomes a way of recording a planet in transformation. In Kep, where the S.E.A. Ocean Gallery will turn sculpture into living reef, the film speaks directly to the Art Week’s link between creation and the protection of nature.
The glaciers of the North may seem far from Cambodia’s tropical coast, but they are part of the same story. As ice melts, sea levels rise, and coastal towns like Kep are among the places that will feel it first. On Melting Snow shows an artist answering that change with patience and beauty, and invites Kep’s audiences to see their own shoreline, mangroves and reefs as memories worth keeping.
Sleepless from the heat, Sokun leaves his crowded construction workers’ dormitory and joins a community of fellow workers living in one of the city’s many unfinished high-rises. Another tower offers a long-awaited luxury home to its first tenant, Seda, who soon feels trapped in the vast gated complex.
Between those who build the towers and those who live in them, Promised Spaces looks at what Cambodia’s new architecture promises and to whom. Shown for the first time in Cambodia, the film opens a timely conversation in a town whose 1960s villas once embodied a different promise of modern living.
A Cambodian co-production that looks at the country’s construction boom from the inside, through the bodies and sleepless nights of those who build it. Its unfinished towers and gated complexes stand in striking contrast with Kep’s New Khmer modernist villas, designed in the 1960s for the climate, the light and the landscape. The film invites a simple question that architects, artists and residents can share after the screening: what kind of spaces does Cambodia want to promise its people?
Sinn Sisamouth, Cambodia’s most famous singer, died during the Khmer Rouge regime, yet his voice lives on through Cambodian refugees around the globe. Chris G. Parkhurst’s film recalls the outstanding musical achievements of his life.
It also shows how his songs have shaped the spiritual, intellectual and cultural growth of Cambodians worldwide, and helped them heal. Under the night sky of Kep, a town that lived Cambodia’s golden age of the 1960s, the film is an invitation to remember together, and to sing along.
Sinn Sisamouth was the voice of Cambodia’s golden age, the same years when Kep became the country’s seaside jewel. His songs survived the regime that tried to erase artists, and they became a thread that tied refugee families to home. Bringing his story back to a Cambodian town, under an open sky, is a celebration of the power of art to outlive violence and keep a culture alive.
The screening schedule, day by day and with exact times and places, will be published here soon.
Announcements, press releases and articles about Kep International Art Week, newest first.









