Wooden figure sculptures standing on the Kep shore at sunset
10–13 December 2026 · Kep, Cambodia

Kep International Art Week

Edition 01: 40+ artists – 21 boats + 1 guest boat – One shore.
5 exhibitions – Kites – Talks
Kep 10–13 December 2026

4Days · Thursday to Sunday
5Exhibitions on one shore
21+1Hulls in Ten Boats+
4Public conversations
About

What is the Kep International Art Week?

Kep International Art Week is a four-day festival of contemporary art on the Cambodian coast, held from 10 to 13 December 2026. This is the first edition, organised by Art for Kep, and it takes place at Kep West.

The centrepiece is Ten Boats+. Twenty-one retired wooden fishing hulls, given up by families who can no longer sail them, have been handed to twenty-one Cambodian and international artists. Each boat carries a passport recording who built it, where it worked and how long it sailed. A guest boat from the Kep Tourism Department joins them. After the week, the fleet travels Cambodia as a moving exhibition.

Four more exhibitions run alongside it. Molyvann 100 marks a century of Vann Molyvann, with architecture and heritage on the Kep coast. The Residency Expo shows work made in Kep this year by resident artists. The Watercolour Expo brings together twenty painters, co-curated with the Cambodian Watercolour Association and the Asia Art Alliance. KITE Workshop and Competition, with the KITE Association, celebrates traditional Khmer kite-making and the Khleng Ek, the musical kite.

Around them run the Oceans Connect panel, artist talks, nightly films on the roof screen, a kite festival, contemporary dance on the pier and live music. Four of the exhibitions stay open for two more weeks.

Retired fishing hulls and figures on the Kep shore
Ten Boats+ · Edition 01 · 21 hulls on the Kep shore.
The project

A boat that was going to be firewood becomes a work of art.

Art for Kep is a Cambodian not-for-profit organisation working with the fishing families of Kep, with Marine Conservation Cambodia, and with artists from Cambodia and abroad. We give the objects and the craft of this coast a second life, and we make the shore itself the place where the work is shown.

Kep is a small town of fishing boats and the remains of 1960s modernist villas on the southern coast of Cambodia. Its shore was once a place of leisure, then of war, then of quiet.

21 retired wooden fishing hulls, given up by the families who can no longer sail them, will pass through the hands of 21 artists. Some will keep the hull whole and transform it. Others will take it apart and re-author it. In December 2026 the fleet lands on the shore at Knai Bang Chatt, Kep West and the Sailing Club, and Kep holds its first International Art Week.

The fishing families who give up the hulls are paid for them, the boat-builders of Kep are paid for their hands, and every artist receives the boat, the materials, travel, board and accommodation, and a production stipend. Nobody on this project is asked to work for exposure, and the artist retains artistic ownership of the work.

Jef Moons, founder of Art for Kep
Jef MoonsFounder
Peter Brongers, Vice President of Art for Kep
Peter BrongersVice President
From Jef Moons

Founder, Art for Kep

Our coast has no borders—a meeting place for people, ideas, nature, and imagination.

Kep International Art Week 2026 advances a larger vision: to establish Kep as Cambodia’s coastal destination for art, culture, and exchange. With artists, communities, and international partners, we explore our relationship with the sea, our heritage, and the future we share.

In Kep, art can connect us across countries and generations, inspire new ways of seeing, and help protect this extraordinary coastline.

Figures and a fishing boat on the Kep shore
The ask, in short

Four ways to take part.

Each tier is tied to something you can point at. You fund the week itself, or one named hull, or your own stand on the shore, or you give what you wish. Nothing overlaps, and nothing is sponsored in the abstract.

One

Title Sponsor

USD 25,000

Kep International Art Week in its entirety, 10 to 13 December 2026: five exhibitions, the whole public programme, and the fleet’s life after December. Named with the week itself.

Become Title Sponsor

Twenty-one

Boat Sponsor

USD 2,500

One named hull, end to end: its purchase from the fishing family, its preparation, the artist’s travel, board and accommodation, a production stipend, the materials and its plinth on the shore.

Sponsor a hull

Limited

Shore booth

USD 1,000

Your own stand on the shore for the four days of Art Week, among the fleet and the crowd it draws. For galleries, makers and businesses of the coast.

Take a booth

Donation

Give any amount, in under a minute.

Pay by Visa, Mastercard or any major card, or straight from the ABA Mobile app. Art for Kep issues a formal receipt for every contribution.

Exhibitions

Five exhibitions, one shore.

Five exhibitions across the week. Ten Boats+ — 21 hulls in Edition 01 — is installed in the Sculpture Park at Kep West. Molyvann 100, the Residency Expo, the Watercolour Expo and KITE Workshop and Competition remain open for two additional weeks.

A hull opened into a spiral on the Kep shore
Exhibition 01

Ten Boats+

Kep West

21 retired fishing hulls, transformed by 21 artists. After the week they travel Cambodia as a moving exhibition.

Discover the exhibition
Black-and-white photograph of a ruined modernist villa in Kep: tiled walls, slender columns and an open veranda overgrown with plants
Exhibition 02

Molyvann 100

Kep West

Vann Molyvann at 100: architecture and heritage on the Kep coast.

Discover the exhibition
The Art for Kep residency house, a two-storey wooden villa with a tiled roof and coral-pink stairs among palms
Exhibition 03

Residency Expo

Kep West

The artists who came to Kep in 2026 from Cambodia and abroad: paintings, sculpture, dance and film responding to the same stretch of coast, its people and its stories.

Discover the exhibition
Painted fragments of old boat timber in bright colours
Exhibition 04

Watercolour Expo & Asia Art Alliance

Kep West

20 Cambodian and international artists, co-curated with the Cambodian Watercolour Association and the Asia Art Alliance.

Discover the exhibition
Exhibition 05 · Workshop & Competitions

A sky full of art: Kep Kite Festival

Kep West · 12–13 Dec

Kite-making workshops, colourful skies and friendly competitions as part of Kep International Art Week. Create your kite, fly your art and join the celebration.

A young man lifts a large hand-painted Khmer kite on the beach at Kep, with families and children watching by the sea
Performance · The Last Stage

The Last Great Ape

The Last Great Ape: circus, cinema and dance. Free entrance, Saturday 12 December, 7 pm, Kep West. Performed in Khmer with English and French surtitles, 60 minutes. Dara Heng and Karim Belkacem Saadi.

Circus, cinema and dance by Dara Heng and Karim Belkacem Saadi. Performed in Khmer with English and French surtitles, 60 minutes. Sold out in Phnom Penh.

Saturday 12 December · 7 pm · Kep WestFree entrance

Film · Cambodia International Film Festival

Cinema under the stars.

Kep has no cinema, so CIFF brings cinema to the town: films about the arts, screened in the open air by the sea, with their directors and crews.

The first five titles.

  • Floating Between
  • Trillionth i: Transmission
  • On Melting Snow
  • Promised Spaces
  • Elvis of Cambodia

Discover the films Schedule to follow.

Additional art creations

Lights of the Past

Théo Vallier and Koeng Rithy

At night, Kep's abandoned villas come back to life. Théo Vallier will paint them as dark silhouettes, their windows glowing as if someone were still at home.

Light fills buildings shaped by absence, holding the memory of the families and summers that once filled them.

Tiled floors and perforated walls give the work its geometric rhythm, while roots and trees push through the façades, reclaiming what people left behind. Lights of the Past is Kep as memory: half ruin, half dream.

Work
Mural, six panels
Size
7.32 m × 2.44 m
Artists
Théo Vallier and Koeng Rithy
Théo Vallier

Théo Vallier

Koeng Rithy

Koeng Rithy

Théo Vallier

Lights of the Past · Artist

Théo Vallier

Théo Vallier is a self-taught contemporary visual artist whose practice originates from the graffiti scene. His multidisciplinary work spans mural painting, silkscreen printing, and painting on oxidised metal. Part of his artistic practice is influenced by Khmer mythology, through symbolic figures and narratives inspired by local cultural heritage.

Alongside this mythological dimension, another major aspect of his work focuses on street scenes inspired by daily life in Phnom Penh. Architecture, human activity, and the atmosphere of the city play central roles in his compositions. These urban narratives, previously explored through his metal paintings, now take new life on canvas, where he further develops his focus on human presence and architectural landscapes.

Over the years, Théo Vallier has exhibited extensively in Phnom Penh and internationally, while continuing to draw inspiration from the city’s evolving identity and rhythms. His work captures fragments of urban life, translating them into visual compositions that blur the boundaries between reality, memory, and perception.

Koeng Rithy

Lights of the Past · Artist

Koeng Rithy

Koeng Rithy, who founded Candy Skeletons in 2022, is a Cambodian street artist with a distinctive style that blends whimsy and modern culture. Born and raised in Siem Reap province, Rithy has spent the last 8 years in Phnom Penh, establishing himself as an independent artist.

Rithy’s signature style is centered around cartoon skeletons, which reflect contemporary lifestyles with a playful yet thought provoking attitude. His pieces often tell stories or capture moments of inspiration drawn from his surroundings and personal experiences. His soft pastel palette of pinks, purples and turquoise adds sweetness and warmth to skeleton characters you would never have imagined.

Jason deCaires Taylor
Conversations with Jason deCaires Taylor

The man who put art on the seabed is coming to Kep.

In 2006, Jason deCaires Taylor lowered concrete figures into the sea off Grenada. Coral moved in, fish followed, and the world’s first underwater sculpture park was born.

This December he joins Kep International Art Week for panels and public conversations on ocean art and sculpture made to be claimed by the sea.

His visit comes at the right moment. The S.E.A. (South East Asian) Ocean Gallery has received approval in principle, and we hope to start creating its first works for the ocean in 2027.

Come and hear where it begins.

Programme

Four days in December.

Kep International Art Week 2026 runs Thursday 10 to Sunday 13 December. The opening is Friday evening; the closing is Sunday afternoon. Four exhibitions remain open for two additional weeks.

Arrival, setup & soft opening

All spaces open quietly on Thursday. The roof screen runs its first film. The Wave opens with its first signature cocktail.

09:00
Kep West
Opens to early arrivals at the Butterfly House — self-directed access, no guided programme.
09:00
Kep West
Works by artists who completed Kep residencies. Artists may be present informally.
09:00
Kep West
Watercolour Expo opens. Cambodian Watercolour Association team on site.
09:00
Kep West
Handicraft space opens on the sand beside the Discovery Centre. Open all four days.
10:00
Kep West
First signature cocktail of the week — a Cambodian ingredient, daily specials to follow.
09:00–17:00
Kep West
Daytime content: Walter villa archive, residency documentation, Kep coastline.
19:00–22:00
Kep West
Private dinner — artists, core team, key institutional guests. Maximum 40, seated.
20:00
Kep West
Film 1, selected by Cedric Eloy.

Press preview & official opening

The afternoon is a structured press preview. The evening is the invitation-only opening at Kep West — sunset, pier music, remarks, reception on The Deck.

09:00
Kep West
All exhibition spaces, Satcha and the Wave open. Roof screen daytime content running.
10:00
Kep West
Daily signature cocktail — Day 2 special.
13:00–14:00
Kep West
Press accreditation desk at the Butterfly House. Embargo: no publication before 20:00 Friday.
14:00–14:45
Kep West
Press guided visit — Molyvann 100 at the Butterfly House. Max 20 journalists.
14:45–15:30
Kep West
Press guided visit. Artists present.
15:30–16:00
Kep West
Press guided visit — Watercolour Expo. Bilingual.
15:30–16:00
Kep West
Press access — photography and a brief interview with a Satcha representative.
16:00–17:00
Kep West
Press guided coastal walk to the pier. Drone documentation active.
17:00
Kep West
Gates open for invited guests along the waterfront promenade.
17:30
Kep West
Waterfront light installation activates at sunset — tide- and wind-responsive.
18:00
Kep West
Mahori ensemble. 30-minute acoustic set suited to wind and open water.
18:30
Kep West
Official opening remarks — Jef Moons, Peter Brongers, Provincial Governor, Ministry of Culture. Five minutes each.
18:45
Kep West
Projection onto Kep West façades — Walter villa photography archive.
19:00
Kep West
Floating work activates offshore, visible from pier and Deck.
19:15–22:00
Kep West
Opening reception. Press interview zone. Wave cocktail service extended to the Deck.
20:30
Kep West
Film 2, running alongside the reception.
22:00
Kep West
Reception closes. Private dinner continues for 25–30 key guests.

Full programme day

The Kite Festival, Oceans Connect, then pier dance, live music and Film 3.

08:00
Kep West
All exhibition spaces, Satcha and the Wave open.
08:30
Kep West
Daily signature cocktail — Day 3 special.
08:30–09:30
Kep West
Guided art walk. Bilingual. Promenade, installations, pier, beach. Max 25 per group.
08:30–09:00
Kep West
Kite Festival registration — government and school categories.
09:00–09:30
Kep West
Kite Festival opening ceremony. ACDK president and Art Week representative.
09:30–12:00
Kep West
Kite Festival — Government Sector. Expected 100 kites. Judged on traditional technique, craft, flight, presentation.
10:30–12:00
Kep West
Oceans Connect panel. 90 minutes, four speakers, Khmer/English interpretation. Recorded for the Kep Ocean Talk Series.
12:00–14:00
Kep West
Press interview sessions. 20-minute one-on-one slots.
12:30–14:00
Kep West
Kite Festival — School Competition. Expected 200 kites. Primary and secondary judged separately.
14:30–15:15
Kep West
Prize ceremony — Government: Best Traditional Kite, Best Flight, Best Visual Design, Special Recognition.
15:15–16:00
Kep West
Prize ceremony — School: Best Traditional (Primary / Secondary), Best Original Design, Special Recognition.
16:00–17:30
Kep West
Final open access. Last collector and press visits. Artists available informally.
19:00
Kep West
Contemporary dance — Performance 1. 20 minutes. Pier as stage.
19:45
Kep West
Contemporary dance — Performance 2. Second 20-minute work.
20:15–22:30
Kep West
Live music — one Cambodian and one international musician or ensemble. 90–120 minutes.
20:30
Kep West
Film 3, alongside the pier programme.

Closing day

A slow morning of last visits and artist talks, a closing ceremony, then the two-week extension.

07:00–07:30
Kep West
Dawn swim. Open and informal. No facilitation.
09:00
Kep West
All spaces open for the final Art Week day. Artists present.
09:00
Kep West
Daily signature cocktail — Day 4 special. Final cocktail of the series.
09:00–10:30
Kep West
Final guided coastal walk. Led by the artistic director. A slow reading of the week.
09:00–12:00
Kep West
Ocean Library — final contributions. Archive closes at 12:00.
10:30–12:00
Kep West
Closing artist talks. Four artists, ten minutes each. Translated into Khmer.
14:00–15:30
Kep West
Closing ceremony on The Deck. Permanent works, next residency call, Edition 02 date.
15:30
Kep West
Art Week officially closes. Four exhibitions remain open for two more weeks.
20:00
Kep West
Final screening — Film 4.
After the week · 15–28 December 2026 — Molyvann 100, the Residency Expo and the Watercolour Expo stay open 10:00–18:00 daily, and the roof screen continues its daytime programme.
Kep International Art Week · 10 to 13 December 2026

Art for Kep Talks

Art for Kep Talks brings you closer to the ideas and stories behind the works on view. Through artist interviews, conversations with gallerists and panel discussions, you meet the artists, curators and gallerists themselves and hear how a work comes about: from a first idea and research, to the studio, the exhibition and the collection. The talks also look at what connects art, Cambodia, the coast and the wider world.

Jason deCaires Taylor
Conversations with Jason deCaires Taylor

The man who put art on the seabed is coming to Kep.

In 2006, Jason deCaires Taylor lowered concrete figures into the sea off Grenada. Coral moved in, fish followed, and the world’s first underwater sculpture park was born.

This December he joins Kep International Art Week for panels and public conversations on ocean art and sculpture made to be claimed by the sea.

His visit comes at the right moment. The S.E.A. (South East Asian) Ocean Gallery has received approval in principle, and we hope to start creating its first works for the ocean in 2027.

Come and hear where it begins.

Panel discussions

Four conversations, each built around one question.

Conversation 1

Cambodia Now

Contemporary Cambodian art on the international stage

Cambodian artists are showing in biennales, museums and collections around the world. Artists and curators talk about what they take from the past, what they reject and what they reinvent, how memory and material shape their work, and what it really takes to keep working as an artist from Cambodia.

Central question

What does it take to build a lasting artistic life from Cambodia?

Moderator and panellists: to be announced

Conversation 2

10 Boats+ · Oceans Connect

Wood, salt and time: art, coastal knowledge and conservation in Kep

Old fishing boats given a second life, art placed in the sea, and the people who work every day to protect Kep’s marine life. The panel asks whether art can do real work for a coast, and what happens when more visitors arrive.

Central question

Can art help a coast recover, or does it only bring more visitors to a place already under pressure?

Moderator and panellists: to be announced

Conversation 3

Molyvann 100

Vann Molyvann at 100: architecture and heritage on the Kep coast

Vann Molyvann, the architect who shaped modern Cambodia, would have turned 100 on 23 November 2026. A few weeks after his centenary, the panel looks at what New Khmer Architecture got right, what to do with Kep’s ruined villas, and why the coast needs to record its buildings before they are lost.

Central question

A hundred years after Vann Molyvann’s birth, what should Kep keep, and what should it build next?

Moderator and panellists: to be announced

Conversation 4

Kep Art & Culture

A future perspective

What Kep already has, what it can learn from other places, and how culture here can be paid for and kept going. This closing conversation puts local people first and asks what the second edition of the Art Week, and the years after it, should look like.

Central question

What would make Kep a place people return to for culture, year after year, and what part should the Art Week play?

Moderator and panellists: to be announced

Coming soon. We are now inviting the moderators and panellists for each conversation. Names and session times will follow soon.
Artists · Ten Boats+ Edition 01

21 artists, 21 hulls.

Each retired fishing hull is paired with an artist for Kep International Art Week, 10 to 13 December 2026. Open a hull to see its photographs, films and passport: where it was built, where it worked and how it came to the project.

You can also sponsor a hull and its artist. Your support pays for materials, production and the artist's time in Kep. Hulls are matched to sponsors in the order commitments are received, and your name stays with that boat: on the shore label, in the project book and wherever the work travels afterwards. No logo is ever applied to a work of art.

Sponsored

Kep Tourism Department

The shore is waiting. 1 of 21 hulls sponsored so far — BUN & ASSOCIATES took the first. 20 berths remain open. Open any hull to support it.

Alongside the fleet, the Residency Expo presents the artists who came to Kep through the Art for Kep residency.Meet the residency artists
Ten Boats+ · Edition 01 · Hull A4K001

Sothea Tang

Sponsored by BUN & ASSOCIATES

Used for crab-trap collection and fish netting in the O’Krasar community, then to carry catch from larger boats onto Angkorl Beach.

Fishing boat passport for hull A4K001: history, collection details, photograph and specifications
Hull
A4K001
Artist
Sothea Tang
Size
L 9.65 m · W 1.65 m · H 0.85 m
Built
2005
Built at
O’Krasar mangrove area
In service
21 years
Worked
O’Krasar community and Angkorl Beach
Last season
2026
Collected
Angkorl Beach, 19 August 2026

Photographs

Hull A4K001, photograph 1Hull A4K001, photograph 2Hull A4K001, photograph 3

Films

Ten Boats+ · Edition 01 · Hull A4K002

Julia Higgs

USD 2,500 · open berth

Used for crab-trap collection and fish netting in Kep’s sea. It sat sunk near White Horse Market for a year before Art for Kep recovered it.

Fishing boat passport for hull A4K002: history, collection details, photograph and specifications
Hull
A4K002
Artist
Julia Higgs
Size
L 6.00 m · W 1.30 m · H 0.70 m
Built
2010
Built at
Kep Fishing Village
In service
15 years
Worked
Kep community and Angkorl Beach
Last season
2025
Collected
Angkorl Beach, 19 August 2026

Photographs

Hull A4K002, photograph 1Hull A4K002, photograph 2Hull A4K002, photograph 3Hull A4K002, photograph 4Hull A4K002, photograph 5Hull A4K002, photograph 6

Films

Ten Boats+ · Edition 01 · Hull A4K003

Calvin & Angelo

USD 2,500 · open berth

Used for crab-trap collection and fish netting in Kep Fishing Village, then to carry catch from larger boats onto Angkorl Beach.

Fishing boat passport for hull A4K003: history, collection details, photograph and specifications
Hull
A4K003
Artist
Calvin & Angelo
Size
L 10.00 m · W 1.80 m · H 0.80 m
Built
2015
Built at
Prek Sangke, Kampot
In service
10 years
Worked
Kep community
Last season
2025
Collected
White Horse, 21 August 2026

Photographs

Hull A4K003, photograph 1Hull A4K003, photograph 2Hull A4K003, photograph 3Hull A4K003, photograph 4Hull A4K003, photograph 5

Films

Ten Boats+ · Edition 01 · Hull A4K004

Bonrotanak Rith

USD 2,500 · open berth

Used for crab-trap collection and fish netting around Phum Thmey. It had been sunk there for a year before recovery.

Fishing boat passport for hull A4K004: history, collection details, photograph and specifications
Hull
A4K004
Artist
Bonrotanak Rith
Size
L 7.60 m · W 1.33 m · H 0.77 m
Built
2018
Built at
Phum Thmey Community
In service
7 years
Worked
Kep / Phum Thmey
Last season
2025
Collected
Phum Thmey Community, 21 August 2026

Photographs

Hull A4K004, photograph 1Hull A4K004, photograph 2Hull A4K004, photograph 3Hull A4K004, photograph 4Hull A4K004, photograph 5Hull A4K004, photograph 6

Films

Ten Boats+ · Edition 01 · Hull A4K005

Nguyen Xuan Hoang

USD 2,500 · open berth

Still in service with a fishing family, setting crab traps and nets around Phum Thmey, when Art for Kep acquired it.

Fishing boat passport for hull A4K005: history, collection details, photograph and specifications
Hull
A4K005
Artist
Nguyen Xuan Hoang
Size
L 7.10 m · W 1.30 m · H 0.85 m
Built
2019
Built at
Phum Thmey Community
In service
7 years
Worked
Kep / Phum Thmey
Last season
2025
Collected
Phum Thmey Community, 21 August 2026

Photographs

Hull A4K005, photograph 1Hull A4K005, photograph 2Hull A4K005, photograph 3Hull A4K005, photograph 4Hull A4K005, photograph 5Hull A4K005, photograph 6

Films

Ten Boats+ · Edition 01 · Hull A4K006

Olga Cuxart Oriol

USD 2,500 · open berth

Still in service with a fishing family for crab traps and nets in Kep’s sea when Art for Kep acquired it.

Fishing boat passport for hull A4K006: history, collection details, photograph and specifications
Hull
A4K006
Artist
Olga Cuxart Oriol
Size
L 7.30 m · W 1.35 m · H 0.80 m
Built
2020
Built at
Phum Thmey Community
In service
6 years
Worked
Kep / Phum Thmey
Last season
2026
Collected
Phum Thmey Community, 28 August 2026

Photographs

Hull A4K006, photograph 1Hull A4K006, photograph 2Hull A4K006, photograph 3

Films

Ten Boats+ · Edition 01 · Hull A4K007

Kris Marko

USD 2,500 · open berth

Used for crab traps and fish netting around Kampong Trorlach before it sank and was recovered for the project.

Fishing boat passport for hull A4K007: history, collection details, photograph and specifications
Hull
A4K007
Artist
Kris Marko
Size
L 7.50 m · W 1.39 m · H 0.70 m
Built
2009
Built at
Kampong Trorlach Community
In service
15 years
Worked
Kep / Phum Thmey
Last season
2024
Collected
Phum Thmey Community, 28 August 2026

Photographs

Hull A4K007, photograph 1Hull A4K007, photograph 2Hull A4K007, photograph 3Hull A4K007, photograph 4

Films

Ten Boats+ · Edition 01 · Hull A4K008

Alexandra Maul

USD 2,500 · open berth

Used for crab traps and fish netting around Phum Thmey before it sank and was recovered for the project.

Fishing boat passport for hull A4K008: history, collection details, photograph and specifications
Hull
A4K008
Artist
Alexandra Maul
Size
L 6.90 m · W 1.45 m · H 0.60 m
Built
2010
Built at
Kampong Trorlach Community
In service
15 years
Worked
Kep / Phum Thmey
Last season
2025
Collected
Phum Thmey Community, 1 September 2026

Photographs

Hull A4K008, photograph 1Hull A4K008, photograph 2Hull A4K008, photograph 3

Films

Ten Boats+ · Edition 01 · Hull A4K009

Justina Edwardsen

USD 2,500 · open berth

Used for crab traps and fish netting around Phum Thmey and Angkorl Beach before it sank and was recovered for the project.

Fishing boat passport for hull A4K009: history, collection details, photograph and specifications
Hull
A4K009
Artist
Justina Edwardsen
Size
L 4.60 m · W 1.20 m · H 0.50 m
Built
2005
Built at
Kampong Trorlach Community
In service
20 years
Worked
Kep / Phum Thmey / Angkorl
Last season
2025
Collected
Phum Thmey Community, 1 September 2026

Photographs

Hull A4K009, photograph 1Hull A4K009, photograph 2Hull A4K009, photograph 3Hull A4K009, photograph 4Hull A4K009, photograph 5
Ten Boats+ · Edition 01 · Hull A4K010

Thun Dina

USD 2,500 · open berth

Used for crab traps and fish netting around Phum Thmey and Angkorl Beach before it sank and was recovered for the project.

Fishing boat passport for hull A4K010: history, collection details, photograph and specifications
Hull
A4K010
Artist
Thun Dina
Size
L 6.50 m · W 1.40 m · H 0.65 m
Built
Not recorded
Built at
O’Krorsa Community
In service
Not recorded
Worked
Kep / Phum Thmey / O’Krorsa
Last season
2026
Collected
Phum Thmey Community, 7 September 2026

Photographs

Hull A4K010, photograph 1Hull A4K010, photograph 2Hull A4K010, photograph 3Hull A4K010, photograph 4

Films

Ten Boats+ · Edition 01 · Hull A4K011

Nout Daro

USD 2,500 · open berth

Used for crab traps and fish netting around Phum Loak and Angkorl Beach before it sank and was recovered for the project.

Fishing boat passport for hull A4K011: history, collection details, photograph and specifications
Hull
A4K011
Artist
Nout Daro
Size
L 7.20 m · W 1.70 m · H 0.80 m
Built
2009
Built at
Phum Loak Community
In service
17 years
Worked
Phum Loak and Angkorl
Last season
2026
Collected
Phum Thmey Community, 7 September 2026

Photographs

Hull A4K011, photograph 1Hull A4K011, photograph 2Hull A4K011, photograph 3

Films

Ten Boats+ · Edition 01 · Hull A4K012

Mohd Jayzuan & Joni Mustaf

USD 2,500 · open berth

Used for crab traps and fish netting around Phum Loak and Angkorl Beach before it sank and was recovered for the project.

Fishing boat passport for hull A4K012: history, collection details, photograph and specifications
Hull
A4K012
Artist
Mohd Jayzuan & Joni Mustaf
Size
L 6.90 m · W 1.60 m · H 0.65 m
Built
2010
Built at
Phum Loak Community
In service
16 years
Worked
Phum Loak and Angkorl
Last season
2026
Collected
Phum Thmey Community, 8 September 2026

Photographs

Hull A4K012, photograph 1Hull A4K012, photograph 2Hull A4K012, photograph 3Hull A4K012, photograph 4Hull A4K012, photograph 5

Films

Ten Boats+ · Edition 01 · Hull A4K013

Can Manh Tuong

USD 2,500 · open berth

Used for fish netting around Phum Loak and Angkorl Beach before it sank and was recovered for the project.

Fishing boat passport for hull A4K013: history, collection details, photograph and specifications
Hull
A4K013
Artist
Can Manh Tuong
Size
L 7.50 m · W 1.29 m · H 0.70 m
Built
2009
Built at
Phum Loak Community
In service
17 years
Worked
Phum Loak and Angkorl
Last season
2026
Collected
Phum Thmey Community, 10 September 2026

Photographs

Hull A4K013, photograph 1

Films

Ten Boats+ · Edition 01 · Hull A4K014

Michael Klinkhamer

USD 2,500 · open berth

Used for fish netting around Phum Loak and Angkorl Beach before it sank and was recovered for the project.

Fishing boat passport for hull A4K014: history, collection details, photograph and specifications
Hull
A4K014
Artist
Michael Klinkhamer
Size
L 7.80 m · W 1.40 m · H 0.76 m
Built
2012
Built at
Phum Loak Community
In service
14 years
Worked
Phum Loak and Angkorl
Last season
2026
Collected
Phum Thmey Community, 10 September 2026

Photographs

Hull A4K014, photograph 1Hull A4K014, photograph 2

Films

Ten Boats+ · Edition 01 · Hull A4K015

Ha Van Coung

USD 2,500 · open berth

Used for fish netting around Phum Loak and Angkorl Beach before it sank and was recovered for the project.

Fishing boat passport for hull A4K015: history, collection details, photograph and specifications
Hull
A4K015
Artist
Ha Van Coung
Size
L 7.50 m · W 1.30 m · H 0.76 m
Built
2015
Built at
Phum Loak Community
In service
11 years
Worked
Phum Loak and Angkorl
Last season
2026
Collected
Phum Thmey Community, 10 September 2026

Photographs

Hull A4K015, photograph 1

Films

Ten Boats+ · Edition 01 · Hull A4K016

Alain Peyrun-Berron

USD 2,500 · open berth

Used for fish netting around Phum Loak and Angkorl Beach before it sank and was recovered for the project.

Fishing boat passport for hull A4K016: history, collection details, photograph and specifications
Hull
A4K016
Artist
Alain Peyrun-Berron
Size
L 6.90 m · W 1.10 m · H 0.60 m
Built
2016
Built at
Phum Loak Community
In service
10 years
Worked
Phum Loak and Angkorl
Last season
2026
Collected
Phum Thmey Community, 10 September 2026

Photographs

Hull A4K016, photograph 1Hull A4K016, photograph 2Hull A4K016, photograph 3Hull A4K016, photograph 4

Films

Ten Boats+ · Edition 01 · Hull A4K017

Dương Quý Dương

USD 2,500 · open berth

Used by a fishing family along the Kbal Romeas Canal, and raced in Kep a few times, before it sank and was recovered for the project.

Fishing boat passport for hull A4K017: history, collection details, photograph and specifications
Hull
A4K017
Artist
Dương Quý Dương
Size
L 6.30 m · W 1.30 m · H 0.50 m
Built
2019
Built at
Veal Renh, Sihanoukville
In service
7 years
Worked
Phum Thmey Community
Last season
2026
Collected
Phum Thmey Community, 14 September 2026

Photographs

Hull A4K017, photograph 1Hull A4K017, photograph 2Hull A4K017, photograph 3Hull A4K017, photograph 4Hull A4K017, photograph 5

Films

Ten Boats+ · Edition 01 · Hull A4K018

Nguyễn Đăng Ninh

USD 2,500 · open berth

Used by a fishing family along the Kbal Romeas Canal before it sank and was recovered for the project.

Fishing boat passport for hull A4K018: history, collection details, photograph and specifications
Hull
A4K018
Artist
Nguyễn Đăng Ninh
Size
L 5.90 m · W 1.10 m · H 0.40 m
Built
2009
Built at
Phum Loak Community
In service
15 years
Worked
Tropeang Ropove, Kampot–Sihanoukville border
Last season
2024
Collected
Phum Thmey Community, 14 September 2026

Photographs

Hull A4K018, photograph 1Hull A4K018, photograph 2
Ten Boats+ · Edition 01 · Hull A4K019

Bui Hoang Duong

USD 2,500 · open berth

Used by a fishing family in the Kampong Samaki and Tropeang Sangke communities before it sank and was recovered for the project.

Fishing boat passport for hull A4K019: history, collection details, photograph and specifications
Hull
A4K019
Artist
Bui Hoang Duong
Size
L 8.20 m · W 1.70 m · H 0.70 m
Built
2011
Built at
Kampong Samaki Community
In service
15 years
Worked
Kampong Samaki and Tropeang Sangke
Last season
2026
Collected
Kampong Samaki Community, 19 September 2026

Photographs

Hull A4K019, photograph 1Hull A4K019, photograph 2

Films

Ten Boats+ · Edition 01 · Hull A4K020

Voon & Tan

USD 2,500 · open berth

Used by a fishing family in the Kampong Samaki and Tropeang Sangke communities before it sank and was recovered for the project.

Fishing boat passport for hull A4K020: history, collection details, photograph and specifications
Hull
A4K020
Artist
Voon & Tan
Size
L 5.70 m · W 1.20 m · H 0.67 m
Built
2010
Built at
Tropeang Sangke Community
In service
16 years
Worked
Kampong Samaki and Tropeang Sangke
Last season
2026
Collected
Tropeang Sangke Community, 19 September 2026

Photographs

Hull A4K020, photograph 1Hull A4K020, photograph 2Hull A4K020, photograph 3Hull A4K020, photograph 4Hull A4K020, photograph 5Hull A4K020, photograph 6
Ten Boats+ · Edition 01 · Hull A4K021A

Tony & Herman

USD 2,500 · open berth

Used by a fishing family in the Kampong Samaki and Tropeang Sangke communities before it sank and was recovered for the project.

Fishing boat passport for hull A4K021A: history, collection details, photograph and specifications
Hull
A4K021A
Artist
Tony & Herman
Size
L 5.95 m · W 0.70 m · H 0.26 m
Built
2009
Built at
Kampong Samaki Community
In service
17 years
Worked
Kampong Samaki and Tropeang Sangke
Last season
2026
Collected
Kampong Samaki Community, 19 September 2026

Photographs

Hull A4K021A, photograph 1Hull A4K021A, photograph 2Hull A4K021A, photograph 3

Films

Ten Boats+ · Edition 01 · Hull A4K021B

Erick Gonzalez

Presented with the Kep Tourism Department

This boat raced every year in the New Year boat racing ceremony at Kep Beach, and it has always taken first place.

Fishing boat passport for hull A4K021B: history, collection details, photograph and specifications
Hull
A4K021B
Artist
Erick Gonzalez
Size
L 5.95 m · W 0.75 m · H 0.35 m
Built
2017
Built at
Kep City
In service
7 years
Worked
Kep Beach, as a racing boat
Last season
2025
Collected
Kep Tourism Department collection, 9 October 2026

Ten Boats+ · Hull A4K021B · Artist

Erick Gonzalez

Guatemala · France · Phnom Penh

Erick Gonzalez is a French-Guatemalan visual artist, art professor, and cultural manager. Originally from Guatemala, where his career began, his artistic journey expanded to France in 2004, before he moved to Phnom Penh in 2015. Nourished by semiotics and conceptual movements—notably arte povera and visual poetry—his multidisciplinary practice creates a dialogue between painting, photography, installation, and found objects. Through his works, he explores contemporary themes such as identity construction, inequalities, the political tensions of his homeland, and the complex relationships that govern our modern societies.

His work has been exhibited at the UNESCO headquarters in Paris (where he represented Guatemala during the Cultural Diversity Festival), the Council of Europe, the Arts Club in London, as well as the Varna Print Triennial in Bulgaria. It has also been showcased in galleries across Spain, Germany, Norway, and France, and at the Paiz and Juannio Art Biennials in Guatemala.

As a prominent figure in the Cambodian art scene, Érick Gonzalez has exhibited his works at the National Museum of Cambodia, the Bophana Center, Meta House, the Ikigai Arts Center, and in his own Atelier Studio/Gallery in Phnom Penh. Playing an active role in developing the country’s cultural ecosystem, he is the founder and chief curator of Penh Art (launched in 2021), Cambodia’s very first contemporary art fair.

Ten Boats+ · Hull A4K001 · Artist

Sothea Thang

Sothea Thang was born in Kampong Cham Province, Cambodia, in 1983. He graduated in Architecture and Urban Planning from Norton University and worked as an architect at a French firm in Phnom Penh before teaching himself to paint in 2009, later moving into sculpture and installation. His architectural training still shapes the work: structure, space, volume and material. He uses natural and traditional materials, Cambodian sarong fabric, metal and recycled objects to make pieces about memory, spirituality and the bond between people and nature. He has exhibited at the Institut français and Meta House in Phnom Penh, and in Paris and Bangkok. In 2024 his 5.7-metre sandstone sculpture Coral Kingdom, made with Bloom Architects, was installed on the Kep seafront. The Mekong Flow (2025), built from aluminium cans and plastic bottles, was shown at the MSU Broad Art Museum in Michigan, and in October 2026 Galerie Lee in Paris presents his solo exhibition The Keepers.

Ten Boats+ · Hull A4K002 · Artist

Julia Higgs

Julia Higgs is an Australian visual artist based between Canberra and the New South Wales coast. She works across drawing, sculpture, installation and performance, and much of her practice centres on performative drawing: marks made through movement, gesture and the body. She holds a Master of Visual Arts (2017) and a Graduate Certificate in Art History and Curatorial Studies from the Australian National University, and a BA in Fine Art from RMIT. Residencies in the Netherlands, Finland and the United Kingdom, including Draw to Perform in 2019, led to projects such as Remanence (2022), ink melting onto paper in Finnish woods, and I drag a line out in the sand (2021), a path traced across a Queensland beach. Her solo exhibition About Drawing was shown at Gladstone Regional Art Gallery and Museum in 2023. Her Art for Kep residency ran from August to October 2026.

Ten Boats+ · Hull A4K004 · Artist

Rith Bonrotanak

Rith Bonrotanak, known as Rotanak, is a Cambodian artist, architect and actor. He holds degrees in Architecture and Urbanisation from the Royal University of Fine Arts and a BA in English from the Royal University of Phnom Penh. His signature style, which he calls Particlisation, turns everyday objects and Khmer cultural symbols, including Kbach patterns, into dense, layered hand-drawn compositions, finished digitally or in mixed media. His first solo exhibition, The Particles, opened at Sra'Art Gallery in 2024 and led Prestige Magazine to name him a rising creative voice in Cambodia. In 2025 he won first prize for Digital Art at the Ekarieach Multi-Art Competition at Sofitel Phnom Penh, took second place in Color Outside the Lines at Sosoro, and showed 49 works in The Particles: Odyssey at Rosewood Phnom Penh. As an actor he plays Meng in Chheangkea's Grandma Nai Who Played Favorites, winner of the Short Film Jury Award for International Fiction at Sundance 2025.

Ten Boats+ · Hull A4K005 · Artist

Nguyen Xuan Hoang

Nguyen Xuan Hoang is a Vietnamese visual artist, born in 1981 in Thuan Thanh, Bac Ninh, and based in Hanoi. He studied at the Hanoi University of Industrial Fine Arts from 1999 to 2003 and at the Vietnam University of Fine Arts from 2003 to 2008, and since 2004 has worked across painting, installation, performance and collaborative workshops. His central question is how a painting occupies space and how we perceive it. He often takes the painted image off the wall and extends it into installations and three-dimensional environments. His ongoing Reverse series, shown as both paintings and installations, turns familiar viewpoints around and tests what an image can be beyond the flat picture plane. Since 2005 he has held solo exhibitions and taken part in group exhibitions, workshops and performances across Vietnam. Recent exhibitions include Station at Quang San Art Museum (2024), Maternal Form in Hanoi (2025) and Migration Season in Ho Chi Minh City (2026).

Ten Boats+ · Hull A4K006 · Artist

Olga Cuxart Oriol

Olga Cuxart Oriol is a Spanish artist-researcher working across sculpture, public art, installation and painting. Born in Barcelona and based between Europe and China, she has spent more than a decade working with the artistic and material cultures of Asia, and holds a PhD in Fine Arts from Xi'an Academy of Fine Arts. Her sculpture asks how material, place and human experience meet. Working in wood, bamboo, metal, stone and ceramics, she treats materials as active participants whose physical properties, past uses and traces shape the work. Her research turns on material agency, operational memory and distributed authorship. She has made monumental, site-responsive public works in China, including permanent outdoor sculptures made with local materials and fabricators, and has exhibited across Asia and Europe, including France and Germany. In 2026 her work took her to Japan, India and Singapore, with writing published in the United States, India and China. Painting still informs her sense of colour, gesture and surface.

Ten Boats+ · Hull A4K007 · Artist

Kris Marko

Born in France in 1975 to a family of Yugoslav origin, Kris Marko builds a symbolic body of work about desire, memory, culture and transformation. His eye was formed by French painting and by the Byzantine, Orthodox, Greek and Etruscan traditions of his Balkan roots. Many years in Cambodia have added Khmer art, animist cosmologies and Asian symbolism to that vocabulary. A painting may begin with a rational intention, but deeper forces increasingly steer it, and the hesitations, revisions and changes of direction stay visible on the surface, like the geological strata of a thought in motion. Horses, dragons, bulls, spines, bones, gold leaf and symbolic architecture recur. Between Eros and structure, instinct and civilisation, chaos and order, his paintings look for a tension that runs through personal experience and collective history. He thinks of them as maps: attempts to chart what cannot be photographed or measured: desire, contradiction, memory, wounds and the invisible forces that shape a life.

Ten Boats+ · Hull A4K008 · Artist

Alexandra Maul

Alexandra Maul (AlexMaulArt) is a self-taught German mixed-media artist, born in 1965 and based in Phnom Penh. Years spent in Germany, Austria, Spain, the United Arab Emirates, Bahrain and Cambodia, and the personal turns of motherhood, marriage, divorce and relocation, sit at the centre of her work. Through painting, texture, words and colour she explores identity, displacement, belonging, urban nature, emotional memory and change. Working mainly in acrylic and spray paint, with layered textures and intuitive mark-making, she pairs expressive abstraction with fragments of language and symbolic imagery. Her canvases move between rawness and harmony, urban energy and nature, and read as emotional states rather than literal scenes. The idea of living between worlds runs through all of it. Recent shows include the solo exhibition French Electronic Music at the Hyatt Regency Phnom Penh and a private solo exhibition in Bali, both in 2025. She was artist in residence at Art for Kep in April 2026.

Ten Boats+ · Hull A4K009 · Artist

Justina Edwardsen

Justina Edwardsen is a pop-art painter, photographer and international visual arts educator based in Phnom Penh. For more than 15 years she has combined studio practice with teaching, working with the IB Primary Years Programme and the Alberta Fine Arts curriculum. Her paintings celebrate everyday life in Cambodia with the bold energy of Pop Art: the crowded streets of Phnom Penh, the patterns of Khmer textiles, ancient temples beside a fast-changing city. A saturated palette carries her interest in where tradition meets modernity. Her work has been shown from Washington, DC to Phnom Penh, in solo exhibitions, group shows and luxury galleries. Her solo exhibition Here to There ran at Sra'Art in Phnom Penh in 2024, and in 2025 her painting Fish For Two was first runner-up in the art design, drawing and painting category of the Ekarieach competition at Sofitel Phnom Penh. She also leads community workshops and Sip & Paint evenings.

Ten Boats+ · Hull A4K010 · Artist

Thun Dina

Thun Dina, born in 1989 in Kampong Cham Province, is an independent Cambodian painter whose work follows the shift from quiet rural life to the pace of Phnom Penh. He began painting his countryside childhood at a young age, trained in pencil drawing at the Yamada School of Arts in 2013, and the following year earned a BA in Oil Painting from the Royal University of Fine Arts. His subjects are mostly people met in the streets of Phnom Penh, caught between tradition and modernity and between generations. He paints in bright, expressive colour as a sign of hope and combines traditional oil technique with the influence of late 19th-century Symbolism. Wet-on-wet passages let colours blend softly, and migration, adaptation and the dignity of daily life recur. He has taken part in more than ten group exhibitions in Cambodia, South Korea, France and Singapore, and in 2017 was selected for the 81st Shinseisaku International Exhibition in Tokyo.

Ten Boats+ · Hull A4K011 · Artist

Nout Daro

Nout Daro is a Cambodian painter, born in Kandal Province in 1991, who graduated from the Royal University of Fine Arts in Phnom Penh in 2018. Fallen leaves, organic forms and cycles of renewal drive his work, which looks at the bond between nature, life and culture. His palette, which he calls "Sunrise Colors", carries both the beauty and the fragility of the natural world. His motto: "Love nature like the way you love your child." Daro has held solo exhibitions at Sofitel Phnom Penh Phokeethra and Raffles Hotel Le Royal, and his work is available at The Gallerist on Street 240 in Phnom Penh. Abroad, he has shown in Singapore, in an international exhibition with artists from 18 countries, and in a group exhibition in France, where solo exhibitions are now in preparation. In 2024 he received the Jury Award at the Ekarieach art competition at Sofitel Phnom Penh.

Ten Boats+ · Hull A4K012 · Artist

Mohd Jayzuan

Mohd Jayzuan is a multidisciplinary artist from Ipoh, Malaysia, working across performance, songwriting, writing, curating, filmmaking and independent publishing. He began making work as a teenager in the late 1990s, and his practice has stayed rooted in experiment and play, moving freely between forms and mediums. Experimental music, alternative literature, contemporary art, film, relational art and youth culture are his main territory. Since the 2000s he has released music albums, books, films and hybrid projects that mix personal exploration with collective energy. In 2011 he founded Projek Rabak, a multidisciplinary artist collective that activates youth culture and countercultural practice in Malaysia and beyond. With Projek Rabak he took part in documenta fifteen in Kassel and the 59th Venice Biennale, and he has presented performances, talks and exhibitions across Southeast Asia, Australia and Europe.

Ten Boats+ · Hull A4K014 · Artist

Michael Klinkhamer

Michael Klinkhamer is a Dutch photographer, visual artist, writer, photo editor and educator with more than four decades in the field. His work covers portraiture, documentary and social reportage, travel, architecture, art and culture, automotive and studio photography. Since the early 1990s he has produced assignments and illustrated stories for leading Dutch magazines, publishers, companies and cultural organisations, and has managed specialist photo studios. He also writes, with interviews and articles on art, architecture, travel and social subjects. People, place and personal stories link it all. From 2012 he built an international practice in Southeast Asia, based mainly in Cambodia, with projects in Thailand, Korea and China and assignments for NGOs across the region. He works independently as photographer, editor, teacher, workshop leader, writer and producer, and runs photography tours in Cambodia and Amsterdam. He was artist in residence at Art for Kep in January 2026.

Ten Boats+ · Hull A4K016 · Artist

Alain Peyrun-Berron

Alain Peyrun-Berron has spent more than 40 years in culinary art competitions and event decoration, as a competitor, coach and judge at international level. His speciality is sugar work, from an ikebana competition in Montreal, Canada, to Easter rabbits and chocolate cake displays. He is also a woodturner and carver. He took part in the Ekarieach wood carving competition at Sofitel Phnom Penh Phokeethra in 2024 and 2025 with Möbius Wave, and in 2026 made Blow Holes, a carved piece for the hotel's lobby.

Ten Boats+ · Hull A4K017 · Artist

Dương Quý Dương

Dương Quý Dương is a Vietnamese painter, born in Hanoi in 1977, who lives and works in the city. He graduated in Lacquer Painting in 1998 and has built his practice around lacquer, treating it both as a traditional medium and as a material for contemporary work. Surface comes first: the layering, sanding and polishing that give lacquer its depth and glow. His paintings carry a sense of slow, repeated movement, and although he works with black, white, blue, gold, red and violet, each piece tends to rest on two or three dominant colours. Since the early 2000s he has shown regularly in Hanoi, including S5 at PuKu (2004), Hanoilink and Hanoilink 2112 at the Goethe-Institut Hanoi and Gallery 39A Ly Quoc Su (2006), and his solo exhibition Polishing at Gallery 39A (2011). More recently he took part in 7+8+9 (2022) and, in January 2026, MuD at Artera Space in Hanoi, a two-person show with Trương Thúy Anh.

Ten Boats+ · Hull A4K019 · Artist

Bui Hoang Duong

Bui Hoang Duong is a Vietnamese visual artist from the Muong ethnic community, born in 1981 and based in Hanoi. He studied at the College of Music and Fine Arts of Guangxi Normal University in China from 2002 to 2006. His painting borrows from expressionism, surrealism and pop art, but the language is his own, and it is built around his love of dogs. They appear again and again, and through them he has found his own way of painting. For Duong, art is both a refuge and a place to explore, where vulnerability, joy and love sit beside environmental concerns and social questions. His solo exhibitions include Muong Shaman (2021), Duong's Verse (2022) and Duong's Forest I and II (2026), and he has shown in Vietnam, China and Australia and online. Since 2021 his community project Dancing Forest has travelled across Vietnam. That same year he received the Nguyen Dinh Thi Prize for Art and Literature.

Ten Boats+ · Hull A4K020 · Artists

Voon Kim Cheong

Voon Kim Cheong is a Malaysian artist and musician, born in Kuala Lumpur in 1968 and based in Petaling Jaya. He graduated from Saito Academy in 1992 and then trained under an established artist from 1993 to 1998. Painting and music run side by side in his work, and his exhibition titles say as much: Vibrancy (2011), Cultural Exuberance (2018), Cultural Diversity (2019), Rhythms of Culture (2023), Symphonic Horizons (2024) and Visual Notes, Invisible Songs (2025). He has also shown in group exhibitions and art events in Malaysia, Cambodia and the United States, and his work has appeared at several regional auction houses. He has been involved with the National Visual Arts Gallery, the Penang State Museum & Art Gallery, the Penang Art Society, the North Kedah Art Society and The Wildlife Art Society of Singapore. Away from the canvas he composes original instrumental music, which he shares on his YouTube channel, @voonkimcheong.

Tan Kok Tiong

Tan Kok Tiong was born in 1969 in Muar, Johor, Malaysia, and grew up in a rural village in northern Johor. He graduated from the Central Academy of Art in 1990. Childhood memories, traditional crafts, heritage food and family customs run through everything he makes, whether in sculpture, ceramics or baking. He draws no line between them, since all of it comes from the same pair of hands. In his words: "I am not sculpting objects; I am sculpting memories. I am not baking food; I am baking culture." Projects such as Art, Hands, Form, Carving, Causal Thought of Kueh and Parental Kiln look at memory, family and tradition, and at the way a material holds experience. In 2024 he founded Lian Tiong Studios, a community space where art, baking, cultural heritage and everyday life meet. He comes to Kep with Voon Kim Cheong.

Ten Boats+ · Hull A4K021A · Artists

Tony Ng Chit Keong

Tony Ng Chit Keong is a Malaysian contemporary artist and art conservator, born in Seremban in 1980. He holds a Fine Art Diploma from the Kuala Lumpur College of Art and studied art restoration at Accademia Riaci in Italy. For over twenty years he has worked as painter and conservator, and each role feeds the other: restoration has given him a close knowledge of materials and history, and a conviction that cultural memory must be cared for. His paintings draw on Malaysian identity, memory and craftsmanship, and on the changing relationship between people, images and technology. Through symbols and layered narratives they ask how we see, what we remember and how we decide what something is worth. His solo exhibitions include The Beauty of Faith (2015), Ukiran (2022) and Fabric of Time (2026), alongside group exhibitions and art fairs across Asia and Europe. In 2026 he won the Grand Prize at the MR D.I.Y. Art Competition.

Herman Wong Seng Yin

Herman Wong Seng Yin is a Malaysian contemporary artist working mainly in watercolour and mixed media. He holds a Diploma in Commercial Art from the Perak Institute of Art. His paintings deal with nature, memory and time, and with the relationship between people and the environment, moving between representation and abstraction. He combines traditional watercolour with mixed media, building up texture, layers and expressive marks. His work shows the natural world as fragile, resilient and always changing, and the traces time leaves on nature and people. He thinks of the painted surface as a living archive, able to hold layers of memory, emotion and texture. Wong is President of the Malaysia Perak Art Society and of Asia Art Alliance (Malaysia), and Vice President of the Contemporary Malaysian Watercolourists Association. He has taken part in international exhibitions, workshops and artist camps across Asia, including in Cambodia, Thailand, Nepal and Korea. He comes to Kep with Tony Ng Chit Keong.

Artist residency

The residency artists.

Art for Kep has hosted artists in Kep since January 2026. Some came for two weeks, some for two months. Between them they have photographed the villas of independence, worked with the crab-trap fishermen, danced with the tide, gathered a century of stories from the Gulf, and built textile figures that stood against the sea at Kep West.

Every artist keeps ownership of their work. Where work was made with named people from Kep, those people are credited too.

View artists

Kevin McGarry
Residency dates to be announced

Kevin McGarry

Scotland

Christine Toelle
Residency dates to be announced

Christine Toelle

Indonesia

Kat Hamilton
6 February 2027 · 3 weeks

Kat Hamilton

USA

ChanChrisna Lee
17 August 2026 · 1 month

ChanChrisna Lee

United Kingdom

Anya Minko
4 August 2026 · 2 weeks

Anya Minko

Phnom Penh, Cambodia

Aurélie Fischer
6 July 2026 · 2 weeks

Aurélie Fischer

Phnom Penh, Cambodia

James Speck
29 June 2026 · 1 month

James Speck

Phnom Penh, Cambodia

Shanghai Chang
20 June 2026 · 1 month

Shanghai Chang

Phnom Penh, Cambodia

Alina Mehmood
1 June 2026 · 1 month

Alina Mehmood

Islamabad, Pakistan

Emmanuel Pezard
1 May 2026 · 1 month

Emmanuel Pezard

Phnom Penh, Cambodia

Alexandra Maul
5 April 2026 · 3 weeks

Alexandra Maul

Phnom Penh, Cambodia

Kanha Hul
15 March 2026 · 2 months

Kanha Hul

Phnom Penh, Cambodia

Karona Hoeuy
1 March 2026 · 1 month

Karona Hoeuy

Siem Reap, Cambodia

Sophea Kim
25 February 2026 · 2 weeks

Sophea Kim

Phnom Penh, Cambodia

Walter Koditek
14 February 2026 · 1 month

Walter Koditek

Siem Reap, Cambodia

Trina Acacia
1 February 2026 · 1 month

Trina Acacia

Bali, Indonesia

Michael Klinkhamer
15 January 2026 · 1 month

Michael Klinkhamer

Netherlands

Mina Mohseni
Residency dates to be announced

Mina Mohseni

Berlin

Med Sirra
Residency dates to be announced

Med Sirra

Netherlands

Kevin McGarry

Artist in residence · Residency dates to be announced

Kevin McGarry

Scotland

Kevin McGarry is a Scottish photographer, artist and educator with more than thirty years of teaching experience. He holds a Master of Fine Arts in Graphic Fine Arts from the Kent Institute of Art and Design and undertook doctoral research at Emily Carr University in Vancouver.

He has taught at Cambridge, Chester and Emily Carr, has been a visiting professor at the University of British Columbia and Georgetown University, and led Oxford Summer Courses at Worcester College in 2024. As a freelance photographer for over twenty-five years, he has covered the Commonwealth Games in Glasgow and on the Gold Coast, photographed leading athletes, musicians and royal events, and documented an expedition to Antarctica. He has been artist in residence at the Booth Studio in Shetland, the Banff Centre in Canada and Winchester School of Art, and has exhibited and published work internationally.

Christine Toelle

Artist in residence · Residency dates to be announced

Christine Toelle

Indonesia

Christine Toelle (b. 1996) is an Indonesian independent curator, researcher and consultant working across decolonial practice, heritage research and cultural strategy. She holds a BFA in Art Study from the Bandung Institute of Technology and an MA in Social Anthropology from SOAS University of London.

She has been Education and Public Programs Coordinator at Museum MACAN in Jakarta, Program Manager at Selasar Sunaryo Art Space in Bandung, Program Director of EDSU house in Yogyakarta and Head of Programming for Art & Bali 2025. Since 2024 she has consulted on curatorial work for festivals in East Sumba, Cirebon, Jakarta, Yogyakarta and Bali, and researches repatriation and museum restitution. Her curated exhibitions include Batik & Beyond with the Embassy of the Republic of Indonesia in London, and she speaks widely on panels across Asia and the UK.

Kat Hamilton

Artist in residence · 6 February 2027 · 3 weeks

Kat Hamilton

USA

Kat Hamilton is an American singer, songwriter, poet and music educator, and a graduate of Berklee College of Music in Boston. Since 2009 Hamilton has recorded and released six studio albums, three EPs and eight singles as a solo artist and in collaborations, touring nationally and internationally and performing several times at SXSW.

Hamilton was lead singer and songwriter of the touring pop-punk band Manic Pixi, has sung on a national Expedia commercial, and has had music placed on the Netflix series Resident Alien. A dedicated teacher, Hamilton has taught voice, guitar, bass, piano and songwriting at music academies in Pasadena and led camps supporting young female and gender-diverse musicians. Also a writer, Hamilton published the debut poetry collection The Things We’ve Lost in 2024, with an accompanying spoken-word album, and was a member of the Berklee poetry slam team.

ChanChrisna Lee

Artist in residence · 17 August 2026 · 1 month

ChanChrisna Lee

United Kingdom

ChanChrisna “Kayleb” Lee is a Khmer diaspora writer, director and producer based in London and originally from Sacramento, California. Lee’s films sit between magical realism, psychological drama and documentary, exploring intergenerational memory, diaspora reconciliation and the experience of living between cultures.

After studying film production and directing at the Los Angeles Film School, Lee is now completing an MA in Filmmaking at the London Film School. Short films include Papaya (2019), selected for the Cannes Short Film Corner student programme and the Academy Gold Rising Program, and A Theory in Sepia (2022), Best Short Film at the Romance & Relationships Festival in Toronto. Lee’s thesis film, How to Grow a Ghost, is a first production return to Cambodia, engaging with rural landscapes marked by explosive remnants of war and with traditional Khmer healing — the start of a long-term commitment to Cambodian stories.

Anya Minko

Artist in residence · 4 August 2026 · 2 weeks

Anya Minko

Phnom Penh, Cambodia

Anya Minko is an Australian/Thai contemporary artist based in Phnom Penh. Through layered abstract and figurative paintings, her work explores environmentalism, conservation and the relationship between people and nature, combining expressive composition with social engagement.

Her debut solo exhibition, Chaotic Harmony, opened at Sra’Art Gallery in 2024, and in 2026 she curated and led Tonlé to Treeline at Rosewood Phnom Penh, an environmental exhibition presenting her paintings alongside Cambodian artists. She has shown at SOSORO Museum, Angkor Art Gallery and Meta House, and is preparing a group show with FT Gallery at Six Senses Krabey Island. A New Colombo Plan scholar, she leads talks and art workshops on creativity, mental health and healing, including with trafficking survivors, and from 2023 to 2025 directed SEVA’s school vegetable garden programme in Cambodian public schools.

Aurélie Fischer

Artist in residence · 6 July 2026 · 2 weeks

Aurélie Fischer

Phnom Penh, Cambodia

Aurélie Fischer is a photographer based in Phnom Penh. Trained in education, Fischer has built a broad practice spanning event, portrait, sports and documentary photography across Asia.

Fischer worked as a photographer-reporter in Auroville in South India in 2018–19, then as photographer-reporter and director for Community First Cambodia from 2019 to 2021, and was on camera for the film La Doyenne du Monde in Myanmar. Since 2022 Fischer has photographed for the Canadian International School in Phnom Penh, covered the Cambodian tennis team at the Davis Cup in Bahrain and the tennis section of the 2023 SEA Games, and photographs regularly for the French Embassy and cultural venues. Fischer’s work has been exhibited at La Java Bleue in Kampot, Sra’Art Gallery, La Factory, The Plantation and the Hyatt in Phnom Penh, and Topaz in 2025, and Fischer has introduced children to photography with the Alliance Française in Siem Reap.

James Speck

Artist in residence · 29 June 2026 · 1 month

James Speck

Phnom Penh, Cambodia

Born in Kalamazoo, Michigan, James L. Speck is a digital artist, animator and educator based in Phnom Penh. A Bachelor of Fine Arts graduate of Northern Arizona University, Speck began working in computer graphics in the 1980s, including animation for Universal Studios and art direction for the CVN broadcast network in Minneapolis.

In 1996 Speck founded Cowboy Water Design, a 3D digital content company in Singapore and Cambodia, creating The Lili Show for MTV Asia, the Quu and Tee characters for Sony Pictures Asia and the brand identity of the Cambodian News Channel. Speck has taught at Raffles College in Phnom Penh and mentored at NYU’s TischAsia. The animation Time Cycles premiered at the Cambodian Film Festival, and in Cambodia Speck created the WOMP! music festival for Wat Opot and has staged interactive music and theatre at Meta House.

Shanghai Chang

Artist in residence · 20 June 2026 · 1 month

Shanghai Chang

Phnom Penh, Cambodia

Born in Phnom Penh in 1996, Shanghai Chang is a contemporary artist with a Bachelor of Arts in Fashion Design and Photography, and a co-founder of the HOMELESS Artists Collective. Chang works across conceptual fashion, installation, photography, mixed media, video art and film.

Chang directed the short films Mélancolie (2018) and Prey Sar (2019), and worked as costume designer and in the art department for Anti-Archive productions directed by Danech San and Kavich Neang. Their work has been shown in Phnom Penh at Java Creative Café, Meta House, Bong The Gallery and IKIGAI Art Center, at MIRAGE Contemporary in Siem Reap, and internationally in Tokyo, Bali and Kuala Lumpur, including the Maybank Artist Fellowship Programme with Chan + Hori Contemporary. Chang has collaborated with the dancer and choreographer Chumvan Sodhachivy, and was artist in residence with Kon Len Khnom in Phnom Penh.

Alina Mehmood

Artist in residence · 1 June 2026 · 1 month

Alina Mehmood

Islamabad, Pakistan

Alina Mehmood is a Pakistani artist, cultural manager and communications professional based in Islamabad, working across dance, theatre and storytelling, art and wellbeing, and art as activism. Mehmood holds a master’s degree in Multimedia Arts from the National College of Arts in Lahore.

In 2011 Mehmood co-founded Rastay Arts, a platform for artists and activists working for social change through exhibitions, theatre, workshops and peacebuilding. Mehmood has held fellowships and residencies in Germany, the United Kingdom and the United States, including a British Council residency at New Art Exchange in Nottingham and a residency at Sampad in Birmingham supported by an ifa mobility grant. Projects include reimagining Kathak and Gaudiya Nritya alongside poetry, the women’s writing initiative My City My Home, Partition heritage workshops with young people in Pakistan and India, and art-based wellbeing programmes in hospitals and with children with special needs.

Emmanuel Pezard

Artist in residence · 1 May 2026 · 1 month

Emmanuel Pezard

Phnom Penh, Cambodia

Emmanuel “Manou” Pezard was born in Aix-en-Provence, France, in 1977 and has lived in Cambodia for many years, working as a writer, curator and heritage guide. After working as a librarian at the Sorbonne in Paris, Pezard moved to Cambodia to pursue documentary photography and writing.

In Kep, Pezard co-founded the French School of Kep, founded the guide agency Kep Autrement in 2012 to share the culture of Kep and Kampot, and ran traditional boat tours telling the maritime stories of Kep Bay. Pezard launched Le Toqué, a French-language magazine on Cambodia’s artistic renaissance, contributes to Le Petit Journal du Cambodge and Cambodge Mag, and has published over a hundred texts. In 2025 Pezard organised collective exhibitions for 68 artists, including at Kep West for Art for Kep. The residency project is Les Villas de Kep, one of five books in progress.

Alexandra Maul

Artist in residence · 5 April 2026 · 3 weeks

Alexandra Maul

Phnom Penh, Cambodia

Alexandra Bilal-Maul (AlexMaulArt) is a self-taught German artist, born in 1965 and based in Phnom Penh. Maul’s practice explores identity, cultural transitions and emotional landscapes, translating atmospheres and inner states into an abstract visual language that invites viewers to experience the world as a layered weave of impressions, memories and transformations.

Shaped by a life lived between Germany, Austria, Spain, the United Arab Emirates, Bahrain and Cambodia — and by personal transitions of motherhood, marriage, divorce, reinvention and relocation — the work moves between abstract and mixed-media painting and visual storytelling rooted in cross-cultural experience. Maul sees art as a medium for reflection, healing and connection. Recent exhibitions include the solo show French Electronic Music at the Hyatt Regency Phnom Penh and a private solo exhibition of contemporary mixed-media works in Bali, both in 2025.

Kanha Hul

Artist in residence · 15 March 2026 · 2 months

Kanha Hul

Phnom Penh, Cambodia

Kanha Hul (b. 1999, Siem Reap) is a multidisciplinary artist whose work explores community, women, the environment and memory through photography, performance, painting, paper cutting, collage, stencil, participatory projects and, more recently, installation and sculpture.

Her signature concern is the position of women in Khmer society: she challenges deeply held beliefs about women’s bodies and roles while celebrating their lives and legacies. Trained at Open Studio Cambodia, she held her first solo exhibitions in 2023, Values at Silapak Trotchaek Pneik and Part of Life at the Photo Phnom Penh Festival. Her work has been shown across Cambodia and internationally, including Galerie Lee in Paris, Artxchange Gallery in Seattle and the Tainan Art Festival in Taiwan. She received the Treeline Urban Resort Artist Grant in 2020 and the Dogma Prize in 2025, and was a GMS artist in residence in Chiang Rai.

Karona Hoeuy

Artist in residence · 1 March 2026 · 1 month

Karona Hoeuy

Siem Reap, Cambodia

Karona Hoeuy spent his childhood in the countryside of Siem Reap, observing the natural world with childlike wonder. As an adult he studied at the Visual Arts Applied School of Phare Ponleu Selpak in Battambang under the mentorship of Thor Vutha, graduating as valedictorian in 2024 with a final project exploring the threat plastic pollution poses to sea turtles.

Now back in Siem Reap, he channels his deep connection to nature into paintings and sculptures that evoke the delicate interplay and vulnerability of ecosystems and the urgent need to preserve them. His work has been shown at the Angkor International Festival of the Arts, Rosewood Phnom Penh and in a solo exhibition at La Java Bleue in Kampot. In 2025 he won the drawing and painting category of the Ekarieach Multi Art Award and placed third in the mural competition at the S’art Urban Art Festival.

Sophea Kim

Artist in residence · 25 February 2026 · 2 weeks

Sophea Kim

Phnom Penh, Cambodia

Born and raised in Cambodia, Sophea Kim belongs to a generation shaped by the aftermath of war, and turned early to drawing, dance, music and writing as a means of healing. After studying French, English and pedagogy at the National Institute of Education, she began her career as an educator.

In 2007 she joined Rithy Panh’s The Sea Wall, and in 2009 became a founding member of the Cambodia Film Commission, working as assistant director, casting director and production coordinator with filmmakers including Rithy Panh, Chantal Akerman, Régis Wargnier and Angelina Jolie. In 2019 she began writing and directing. Her debut short, Grey Feather, opened the Cambodia International Film Festival and won an Audience Award abroad, followed by Chant of the Desert Flower (2025) and Rest in Pieces (2026). Her films give voice to women’s untold stories in a rapidly changing Cambodia.

Walter Koditek

Artist in residence · 14 February 2026 · 1 month

Walter Koditek

Siem Reap, Cambodia

Walter Koditek is a German urban planner, photographer and author based in Siem Reap. After graduating from the Technical University of Berlin, he spent almost two decades in urban planning and design consultancy and university teaching before moving to Asia in 2006 to work as an urban planning expert in Battambang and Hanoi, later basing himself in Hong Kong.

A strong advocate of cultural heritage conservation, he documents the post-war modernist architecture of Asia through photography and meticulous research. His books include Battambang Heritage, the Architectural Guide Phnom Penh, Hong Kong Modern and Bangkok Modern, with Phnom Penh Modern: The Architecture of Independence in progress. His exhibitions have been shown at the Goethe-Institut in Hong Kong and Bangkok, the Chinese University of Hong Kong, Blue Lotus Gallery and Chulalongkorn University, and Phnom Penh Modern was exhibited in Phnom Penh in 2025.

Trina Acacia

Artist in residence · 1 February 2026 · 1 month

Trina Acacia

Bali, Indonesia

Trina Acacia is a dancer, choreographer and ecodramaturg based in Uluwatu, Bali, with a degree in philosophy from Universitas Indonesia. Since 2015 Acacia’s practice has moved away from studio conventions toward site-specific work, learning movement from tides, winds and coastal landscapes; the ocean serves as both research site and emotional ground.

Acacia founded the Kallola Project, a dance community devoted to ocean care, whose works In the Hands of Water and Mimesis combine choreography with beach clean-ups, diving and documentation of coastal cultures around Bali. Acacia also founded ForumTari, a forum for critical discourse on dance and the body. Acacia has performed with Teater Kalangan, at the Jakarta Biennale and the Ubud Dance Festival, collaborated with painters, poets and musicians, and was a selected fellow of the NAHR Residency in Italy in 2024.

Michael Klinkhamer

Artist in residence · 15 January 2026 · 1 month

Michael Klinkhamer

Netherlands

Michael Klinkhamer is a Dutch fine art and professional photographer, artist, writer, publisher and workshop organiser. Klinkhamer’s experience spans reportage, portrait, studio, architecture and automotive photography, as well as work as a photo editor, cameraman, photography instructor and copywriter.

A lifelong fascination with images has led Klinkhamer to produce portraits and reportages for well-known glossy magazines and companies at home and abroad, and to manage specialist photo studios. Since 2010 Klinkhamer has written articles on art, architecture and culture and conducted interviews for print and online publications. From 2012 to 2022 Klinkhamer worked mainly in Southeast Asia — in Cambodia, Thailand, Korea and China — leading photo tours in Cambodia and taking on assignments for NGOs working across Asia. Klinkhamer also runs Cambodia and Amsterdam photo tours.

Mina Mohseni

Artist in residence · Residency dates to be announced

Mina Mohseni

Berlin

Mina Mohseni is a multidisciplinary artist and researcher based in Berlin, working across printmaking, installation, video and scenography. Mohseni holds a BA in Fine Arts from Sooreh Art University in Tehran and an MA in Fine Arts from Isfahan National Art University, and has co-led the Dara Print Studio collective since 2009.

Mohseni’s solo exhibitions include The Story of the Flood at Etemad Gallery in Tehran, A Mass Sporting Event at Urdla Gallery in Villeurbanne, and The Lost Garden at the Museu de Lisboa during the Imminent Festival. Group shows span Berlin, Paris, New York, Amsterdam and Tehran. Mohseni has designed scenography in Lisbon, La Réunion and Budapest, received a Culture Moves Europe grant from the Goethe-Institut, and held residencies on Örö island in Finland and in Lithuania. Mohseni has lectured at Berlin Mondiale and BBK Berlin and leads screen-printing workshops.

Med Sirra

Artist in residence · Residency dates to be announced

Med Sirra

Netherlands

Med Sirra is an artist and architect based in the Netherlands. Sirra studied Fine Arts at the Gerrit Rietveld Academy in Amsterdam, holds an MFA from the Oslo National Academy of the Arts, and completed an MArch in Architectural Design at The Bartlett, University College London.

Sirra’s solo exhibitions include Horses do not Look in the Mirror at Kunsthalle Nairs in Switzerland, Re-public the politics at Warehouse Gallery in Incheon, and exhibitions in Amsterdam, Neringa, Den Bosch, Beirut and Maastricht. Group exhibitions include the Haus der Kulturen der Welt in Berlin, MAC São Paulo, Fotogalleriet in Oslo and the Goethe-Institut in Sofia. Sirra has held residencies and fellowships at Akademie Schloss Solitude, the Cité Internationale des Arts in Paris, the Asia Culture Center in Gwangju and Gasworks’ international programme, with support from the Mondriaan Fund and the Arab Fund for Arts and Culture.

Transparency

Where the money goes.

Art for Kep publishes its costs transparently. This is the working budget for Edition 01, per hull across a fleet of 21.

Production, per hullUSD
Hull, purchase from the fishing family, collection and preparation330
Materials: paint, primer, marine sealant, tools and sculpting215
Plinth, mounting hardware, signage and label100
Artist travel, board and accommodation for the residency700
Artist production stipend500
The project book, 20 copies of an edition of 1,000350
Documentation, photography, opening and press100
Transport to Phnom Penh, insurance, coordination and logistics130
Contingency75
Production, one hull2,500
Production, fleet of 2152,500

Every figure above is what we actually pay. A Boat Sponsorship of USD 2,500 covers one hull end to end. Our accounts and annual report are available on request from [email protected], and in-kind support from our founding partners is valued and listed separately so you can see what is given and what is bought.

Studio and workshop space, the grounds at Knai Bang Chatt, and curatorial time are given in kind by Kep West and Art for Kep, and are not charged against the budget above. Skilled boat-builders are paid at craft rates set in each Yard agreement. The artist retains artistic ownership of the work in every case.

Retired wooden fishing hull opened for the Ten Boats+ project
A retired wooden fishing hull opened for the project.

What USD 25,000 pays for

Exhibition build-out across the three indoor spaces, and the coastal and marine installations along the promenade and offshore, including the rental of tents and equipment. Technical and site: sound, lighting, staging, the pier and the roof screen, signage, the shore map and stewarding. The public programme: support for the Kite Festival, the panel with its interpretation and recording, the dance and the music, and the four evening films. Press and print: the accredited preview, the documentation crew, the bilingual printed programme, and the marketing that brings people to Kep. Insurance and the fortnight after: care of 21 wooden works standing outdoors, and the three indoor exhibitions staffed for two weeks beyond the closing. The onward life: crating and freight to SOSORO and beyond, the scanning and placement of hulls as reef, and the seed of Edition 02.

Commitments

Kep Cultural Commitments, 2026

Three promises, made in public, reported against every year.

01

An annual paid commission

An annual paid commission for a Cambodian artist.

02

Kep Cultural Memory Archive

Phase one of the Kep Cultural Memory Archive: Ten Boats+ oral histories, images, artist reflections and recorded conversations, collected with consent and full credit.

03

A production fund

A production, residency and public-art fund, supported by galleries and patrons.

Take part

Write to us. We will match you to an open berth.

Donate online by card or ABA Mobile, by phone or email, or send an international bank transfer. Our team will contact you to assist. Art for Kep issues a formal receipt for every contribution.

Kep shoreline with fishing boats at golden hour
Visit Kep

Why come, and how.

A quiet coastal town of fishing boats and painted colonial villas, on the southern coast of Cambodia.

Why come

From 10 to 13 December, Cambodia’s small coastal town turns into a meeting place for art, culture and people who love the sea. Artists from Cambodia and abroad are showing their work by the shore, in the open air, and almost all of it is free.

It’s the best time of year to be here. The days are dry and sunny, the sea is calm and the evenings are cool enough to stay out late. Every night the sun goes down over the Gulf, and the sunsets are some of the best in the country.

Come with family or friends. Make it a weekend in Kep.

Kep West from the air: the pier, the beach and the green hills of Kep above the Gulf of Thailand
Kep West, the Art Week’s main venue, on the Kep coast.
Plan your visit

Plan your days on the Kep coast.

Kep International Art Week runs from Thursday 10 to Sunday 13 December 2026. Most of it is free and open to everyone. This page tells you what you can attend, how to get here, where to stay and how to get around once you arrive.

What’s open to you

Free, no booking needed

All five exhibitions are free, including Ten Boats+ in the Sculpture Park at Kep West. So are the handicraft space on the sand, the Kite Festival on Saturday 12 December, the Oceans Connect panel and the artist talks. In the evenings there are films on the roof screen, contemporary dance on the pier and live music every day. The Last Great Ape is on Saturday 12 December at 19:00, and the closing ceremony is on Sunday.

Free, but please register

Kite-making workshops and the kite competition: register here. The guided art walk on Saturday morning takes 25 people per group.

By invitation

The official opening on Friday evening and the artists’ dinners are by invitation. Journalists can apply for accreditation through the press form.

Getting to Kep

From the airport

International flights land at Techo International Airport, south of Phnom Penh. Kep is 2.5 to 3 hours away by car. The airport is on the Kep side of the city, so you miss most of the capital’s traffic. Our hospitality team can book a private transfer for you in advance.

From Phnom Penh

By car, the drive takes about 2.5 hours, depending on traffic.

By train, one Royal Railway service runs each day. It leaves Phnom Penh at 07:00 and reaches Kep at around 10:20. It’s slow and comfortable, with good views of the countryside. Book ahead, because weekend seats sell out.

By bus, several companies run daily services from different parts of Phnom Penh. The journey takes 3.5 to 4 hours.

From Vietnam and Phu Quoc

The Prek Chak to Ha Tien border crossing is about 20 minutes from Kep and opens every day from 06:00 to 18:00. Apply for your Cambodian e-visa before you travel rather than relying on a visa on arrival.

From Kampot and Sihanoukville

Kampot is 30 to 45 minutes away by tuk-tuk, at around US$10 one way. Sihanoukville is about two hours by car.

Getting around Kep

Kep West is the main venue, and every exhibition there is within walking distance. For anywhere else in Kep, take a tuk-tuk. In the evenings they wait near the Kep West entrance. If you’re driving, use the parking areas marked on the masterplan below.

Where to stay

Kep is a small town and December is high season, so book your room early.

In Kep · Higher end

  • Knai Bang Chatt
  • Samanea Beach Resort
  • Veranda Natural Resort
  • Palace Resort

In Kep · Mid-range

  • Kep Lodge
  • Kep Bay Hotel & Resort
  • The Beach House
  • Hôtel de la Plage
  • Saravoan Resort
  • Q Bungalows
  • Atmaland Resort

In Kep · Guesthouses

  • Botanica Guesthouse
  • Lida Khmer House
  • Kep Guest House
  • Kep Seaside Guesthouse
  • Khmer House Guesthouse
  • Kep Bungalows

In Kampot

Kampot has places to stay at every price and is 30 to 45 minutes from Kep by tuk-tuk or taxi. Try there if Kep is full.

Before you come

Visa and arrival

Most nationalities can get an e-visa or a visa on arrival. Apply only through the official government site, evisa.gov.kh, because look-alike sites charge extra. Every traveller, visa holders included, must also fill in the free Cambodia e-Arrival form within seven days before arrival.

Money

Riel and US dollars are used everywhere. Bring small dollar notes for tuk-tuks, the handicraft stalls and the Crab Market. Nearest ATMs to Kep West

Phone and internet

Mobile coverage along the Kep coast is reliable. You can buy a local SIM card at the airport.

Children

Families are welcome. The Kite Festival and the kite workshops on 12 and 13 December are made with children in mind.

Language

Talks and panels are in Khmer and English, with interpretation.

Food and drink

Kep West has several restaurants serving Asian and international food, with pop-up counters around the site. Kep Crab Market is a few minutes away.

On the shore
  • The boats are artworks, so please don’t climb on them or touch them.
  • Kep West is certified sustainable and the Art Week is a green festival. Please don’t bring your own food and drink, and take your rubbish home with you. Anything left on the shore ends up in the sea.
  • Swim only where others are swimming, and watch children near the pier.
  • The car and motorbike parks are secured, but you park at your own risk. Motorbikes 2,000 riel, cars US$1.
If you have one day

Come on Saturday 12 December. Get there by 09:00 for the Kite Festival, then go to Oceans Connect at 10:30. Spend the afternoon at the five exhibitions, then stay for the dance on the pier, the live music and the film.

If you have the weekend

Arrive on Friday and see the exhibitions while it’s quiet. Do the Saturday plan above. On Sunday, join the dawn swim at 07:00 and the slow guided walk along the coast, then stay for the closing talks and the ceremony on The Deck.

Site map

Art Week masterplan.

Knai Bang Chatt, Kep West and Coco Beach: where to park, where each exhibition stands, the kite fields, the films and The Wave, all on one plan.

Kep International Art Week masterplan, 10–13 December 2026: numbered zones at Knai Bang Chatt, Kep West and Coco Beach. Parking 1 to 3; Kep West gardens with Molyvann 100 in the butterfly house (4), the artist residency exhibition (5 and 6), Knai Bang Chatt lodging (7), the kite workshop (8), the Watercolour Association and Asia Art Alliance exhibition (9) and panel discussions (10); open fields for the kite competition (11) and the sculpture exhibition (12); on the waterfront the Ten Boats+ exhibition (13), art movies (14), The Wave food, drink and ceremonies (15), Coco Beach (16) and the opening by the pier.
Tap the plan to open it full size. Zones are indicative.
What else to do

Stay a little longer.

Kep is a good place for walking, island trips and doing very little. You can:

  • Hike Kep National Park for views over the coast and islands.
  • Swim in the Gulf from Kep’s beaches.
  • Take a day trip to Rabbit Island (Koh Tonsay).
  • Sail, kayak or paddleboard along the coast.
  • Explore the mangroves by boat or kayak.
  • Visit the pepper farms, salt fields and limestone caves.
  • Eat fresh seafood at Kep Crab Market.
  • Walk past the old villas, pagodas and fishing villages, and stop at the Kep Butterfly Farm.
  • Book yoga, meditation or a treatment at the Wellness Centre at Kep West.

Our hospitality team can arrange most of these: [email protected] or +855 (0)78 333 684.

Questions

Good to know.

Do I need a ticket?

No. The Art Week is free, apart from a few events that ask you to register. See What’s open to you above.

Can I buy the works?

Yes. Contact us at [email protected].

Is there parking?

Yes, in the areas marked on the masterplan. Spaces are limited, so come by tuk-tuk if you can.

Booking assistance

Write to the hospitality team.

This form is routed to Art for Kep / Knai Bang Chatt. For rooms, say dates and how many. For press, use the accreditation form.

Art for Kep Cambodia International Film Festival
Films · CIFF at Kep International Art Week 2026

Cinema under the stars: CIFF unveils its first films on the arts for Kep

Kep, Cambodia — For the first Kep International Art Week, the Cambodia International Film Festival (CIFF) unveils the first titles of its curated programme of films about the arts, screened in the open air by the sea, in the presence of members of their cast and crew.

The Art Week brings performances, exhibitions and film screenings to Cambodia’s coastal town. CIFF’s selection answers it with films in which art is a way of living with a place: dance on land and in water, painting born from melting glaciers, the towers of a changing city, and the songs that carried a nation’s memory across the world.

Kep has no cinema, so the festival brings cinema to the town. Each screening takes place outdoors, facing the Gulf of Thailand, among the jungle, the sea and the modernist villas that are themselves part of Cambodia’s artistic heritage.

Directors, performers and members of the crews will introduce their films and meet the audience after the screenings. These conversations give residents, students, artists and visitors a rare chance to hear from the people who made the films, about how they were made and the art they portray.

The programme travels from Cambodia’s fishing villages to Iceland’s glaciers, and from the unfinished towers of a Cambodian city to the Cambodian diaspora. This first selection features a Cambodian premiere and the work of Cambodian, Canadian, European and American filmmakers. More titles will be announced in the coming weeks.

The films

The first five titles.

Open-air screenings by the sea, introduced by their directors, performers and crews. More titles will be announced in the coming weeks.

01

Floating Between

Vannak Khun · 2025 · Dance, performance and the sea

A spirit takes shape between jungle and sea, floating, walking and dancing on land and in water, until it reaches Avlatan, a fishing village on stilts near the Thai border. This city-dweller discovers the ocean, the mountains, the rivers and the waterfalls, a benevolent ghost in a world he stumbled into by chance.

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Along plank paths and wooden bridges, he moves from family to family and into the intimacy of their homes. He sees hard and sometimes sad daily lives, but also the joy, the repeated simple gestures and the mischievous children of a community that has long lived with nature and depends on the ocean.

Between contemplative trance and empathy, Vannak Khun’s film is a choreography of encounter. For an Art Week held on Cambodia’s coast, it is a mirror held up to the fishing communities whose lives depend on the sea that Kep’s artists and conservationists are working to protect.

Why it shines in Kep

A Cambodian artist, a Cambodian coastline and a body that listens to nature. Shot in the land and seascapes of Cambodia’s southwest, Floating Between turns dance into a way of paying attention to the sea, the forest and the people who depend on them. Screened a few steps from the Gulf of Thailand, it brings the film’s world almost within reach of the audience.

02

Trillionth i: Transmission

Peter Chin · Canada · 2022 · 39 min · Dance

Conceived and produced during the COVID-19 pandemic to celebrate universal human connection, this Cambodian-Canadian dance film was shot across five countries: Cambodia, Canada, Mexico, Italy and Indonesia.

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Its 15-member international ensemble brings together contemporary, classical and traditional artists. The Cambodian dancers include Chy Ratana, Chanborey Soy, a leading Lakhaon Khaol masked dancer and contemporary performer, Ros Sokunthea, Rasy Hul, Mouern Chanthy and Chea Ratanakitya. They dance alongside Canadian artists Jennifer Dahl, Bonnie Kim, Andrea Nann, Carlos Rivera, Heidi Strauss and Peter Chin himself, and Mexico’s Marina Acevedo.

With such a strong Cambodian presence, Peter Chin built a distinctive matrix of Cambodian dance and music into the heart of the film. Live instruments and voices by Katherine Duncanson, Jennifer Moore and Andrew Timar carry the dancers from one continent to the next.

Why it shines in Kep

Lakhaon Khaol, the Cambodian masked dance-drama listed by UNESCO as heritage in need of urgent safeguarding, meets contemporary dance from around the world. The film shows Cambodian performers not as guardians of a frozen tradition but as partners in a living, global art form. At a time when the world was forced apart, it proves that a gesture made in Cambodia can answer one made in Canada, Mexico, Italy or Indonesia.

03

On Melting Snow

Mojtaba Bahadori · Belgium, Iceland · 2025 · 73 min · Painting and nature

Every landscape holds a memory of our planet, memories cruelly divided by time and by the borders that people draw. For 33 years, artist Sophie Cauvin has travelled to meet these transformed landscapes, collecting and reuniting their fragmented memories and immortalising them in astonishing works of art.

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Mojtaba Bahadori follows her journey, in which art becomes a way of recording a planet in transformation. In Kep, where the S.E.A. Ocean Gallery will turn sculpture into living reef, the film speaks directly to the Art Week’s link between creation and the protection of nature.

Why it shines in Kep

The glaciers of the North may seem far from Cambodia’s tropical coast, but they are part of the same story. As ice melts, sea levels rise, and coastal towns like Kep are among the places that will feel it first. On Melting Snow shows an artist answering that change with patience and beauty, and invites Kep’s audiences to see their own shoreline, mangroves and reefs as memories worth keeping.

04

Promised SpacesCambodian premiere

Ivan Marković · Cambodia, France, Germany, Serbia · 2026 · 74 min · Architecture and the city

Sleepless from the heat, Sokun leaves his crowded construction workers’ dormitory and joins a community of fellow workers living in one of the city’s many unfinished high-rises. Another tower offers a long-awaited luxury home to its first tenant, Seda, who soon feels trapped in the vast gated complex.

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Between those who build the towers and those who live in them, Promised Spaces looks at what Cambodia’s new architecture promises and to whom. Shown for the first time in Cambodia, the film opens a timely conversation in a town whose 1960s villas once embodied a different promise of modern living.

Why it shines in Kep

A Cambodian co-production that looks at the country’s construction boom from the inside, through the bodies and sleepless nights of those who build it. Its unfinished towers and gated complexes stand in striking contrast with Kep’s New Khmer modernist villas, designed in the 1960s for the climate, the light and the landscape. The film invites a simple question that architects, artists and residents can share after the screening: what kind of spaces does Cambodia want to promise its people?

05

Elvis of Cambodia

Chris G. Parkhurst · United States · 2023 · 66 min · Music

Sinn Sisamouth, Cambodia’s most famous singer, died during the Khmer Rouge regime, yet his voice lives on through Cambodian refugees around the globe. Chris G. Parkhurst’s film recalls the outstanding musical achievements of his life.

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It also shows how his songs have shaped the spiritual, intellectual and cultural growth of Cambodians worldwide, and helped them heal. Under the night sky of Kep, a town that lived Cambodia’s golden age of the 1960s, the film is an invitation to remember together, and to sing along.

Why it shines in Kep

Sinn Sisamouth was the voice of Cambodia’s golden age, the same years when Kep became the country’s seaside jewel. His songs survived the regime that tried to erase artists, and they became a thread that tied refugee families to home. Bringing his story back to a Cambodian town, under an open sky, is a celebration of the power of art to outlive violence and keep a culture alive.

Schedule

Days and times will follow.

The screening schedule, day by day and with exact times and places, will be published here soon.

Practical information
Dates
December 2026, during the Kep International Art Week
Venue
open-air screenings in Kep, Cambodia — exact locations to be announced
Languages
films screened in original version with Khmer and English subtitles
Guests
directors, performers and crew members present at the screenings
Organised by
the Cambodia International Film Festival (CIFF), within the Kep International Art Week
Partners

With the support of.

Organiser

Art for Kep Organization
Art for Kep Organization

Government

Ministry of Culture and Fine Arts
Ministry of Culture and Fine Arts
Kep Province
Kep Province
Ministry of Education, Youth and Sport
Ministry of Education, Youth and Sport

Culture

Cambodia International Film Festival
Cambodia International Film Festival
The Last Stage
The Last Stage
SOSORO Museum
SOSORO Museum
Satcha Handicraft Incubator
Satcha Handicraft Incubator
Logo coming soon
The Cambodia Kite Association

Venue and hospitality

Knai Bang Chatt by Kep West
Knai Bang Chatt by Kep West
Kep West
Kep West
From abroad · gifts above USD 500

International bank transfer

Your donation goes to Art for Kep Organization, a registered Cambodian non-profit working for Kep’s ocean, its artists and the communities who live from the coast.

Beneficiary

Account name
Art for Kep Organization
Beneficiary address
Kep Province, Cambodia
Account number
018857528
Account currency
USD

Beneficiary bank

Bank name
Advanced Bank of Asia Limited (ABA Bank)
Bank address
No. 148, Preah Sihanouk Blvd, Phnom Penh 120102, Cambodia
SWIFT / BIC
ABAAKHPP

Correspondent bank only if your bank asks for one

USD
JPMorgan Chase Bank N.A., USA · CHASUS33
USD (alternative)
Standard Chartered Bank, USA · SCBLUS33
EUR
Commerzbank AG, Germany · COBADEFF

Payment reference

Reference
Donation, followed by your name
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Thank you. Once you have sent your donation, let us know at [email protected] so we can thank you personally and send your formal receipt.

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